Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    495 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Vaults with Bosse Blocks, from "Roman Ru"12 records

Institutions answered newest-first by record, interleaved

Sepulchrum Adriani, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Sepulchrum Adriani, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving

Cleared · Public Domain

live
The MetSimilar
Amphitheater at Verona, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Amphitheater at Verona, from "Speculum Romanae Magnificentiae"

Anonymous

1560 · Engraving

Cleared · Public Domain

live
The MetSimilar
Vaults with Bosse Blocks, from "Roman Ruins and Buildings" by Johannes van Doetecum I, The Metropolitan Museum of Art

Vaults with Bosse Blocks, from "Roman Ruins and Buildings"

Johannes van Doetecum I (d. 1605)

1562 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Interior of the Lateran, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

Interior of the Lateran, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Porta della fabrica of the Farnese Palace, Caprarola, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Porta della fabrica of the Farnese Palace, Caprarola, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Farnese Palace, from "Speculum Romanae Magnificentiae" by Francesco Villamena, The Metropolitan Museum of Art

Farnese Palace, from "Speculum Romanae Magnificentiae"

Francesco Villamena (d. 1624)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1646 · Etching; fourth state of nine (Talbierska)

Cleared · Public Domain

live
The MetSimilar
Title plate, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Title plate, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

ca. 1650 · Etching (copy)

Cleared · Public Domain

live
The MetSimilar
Friezes after Giulio Romano, in Palazzo del Te by Antoinette Bouzonnet Stella, The Metropolitan Museum of Art

Friezes after Giulio Romano, in Palazzo del Te

Antoinette Bouzonnet Stella (d. 1676)

1675 · Etching

Cleared · Public Domain

live
The MetSimilar
Temple of the Sun and the Moon in Rome by Jean Barbault, The Metropolitan Museum of Art

Temple of the Sun and the Moon in Rome

Jean Barbault (d. 1762)

1750 · Black and white chalk

Cleared · Public Domain

live
The MetSimilar
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)

Giovanni Battista Piranesi (d. 1778)

ca. 1749–50 · Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)

Cleared · Public Domain

live
The MetSimilar
Figures in a Colonnade by Hubert Robert, The Metropolitan Museum of Art

Figures in a Colonnade

Hubert Robert (d. 1808)

ca. 1780 · Pen and black ink, brush and gray and blue wash, heightened with white, over black chalk

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.