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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    600 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    579 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,049 matching records exist across the two collections.

Results for "Veil of St. Veronica (or The Head of St."12 records

Institutions answered newest-first by record, interleaved

Panel with St. Peter or St. Paul (?) by an unrecorded maker, The Metropolitan Museum of Art

Panel with St. Peter or St. Paul (?)

Unrecorded maker

500s · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Coffret with Woodcut of Saint Veronica's Vernicle by Hans Burgkmair the Elder, The Cleveland Museum of Art

Coffret with Woodcut of Saint Veronica's Vernicle

Hans Burgkmair the Elder (d. 1531)

Coffret: c. 1515; Woodcut: c. 1509 · Print, Wood, leather, iron, textile, woodcut with stenciled coloring

Cleared · CC0

live
Cleveland Museum of ArtSimilar
St. Cosmas or St. Damian (?) by an unrecorded maker, The Metropolitan Museum of Art

St. Cosmas or St. Damian (?)

Unrecorded maker

ca. 1470 · Sandstone

Cleared · Public Domain

live
The MetSimilar
Saint Veronica between Saints Peter and Paul, from "The Small Passion" by Albrecht Dürer, The Metropolitan Museum of Art

Saint Veronica between Saints Peter and Paul, from "The Small Passion"

Albrecht Dürer (d. 1528)

1510 · Woodcut

Cleared · Public Domain

live
The MetSimilar
St. Catherine of Alexandria by Wenceslaus Hollar, The Metropolitan Museum of Art

St. Catherine of Alexandria

Wenceslaus Hollar (d. 1677)

1644–52 · Etching and engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
Face of Christ on St. Veronica's Veil by Dudesert or Du Desert, The Metropolitan Museum of Art

Face of Christ on St. Veronica's Veil

Dudesert or Du Desert (d. 1800)

1735 · Engraving; copy after Mellan

Cleared · Public Domain

live
The MetSimilar
The City Rout by Richard St. George Mansergh St. George, The Metropolitan Museum of Art

The City Rout

Richard St. George Mansergh St. George (d. 1798)

May 20, 1776 · Etching

Cleared · Public Domain

live
The MetSimilar
Veil of St Veronica (sudarium) by Anonymous Mexican Artist, The Metropolitan Museum of Art

Veil of St Veronica (sudarium)

Anonymous Mexican Artist

19th century · Woodcut (re-strike?)

Cleared · Public Domain

live
The MetSimilar
Piping Pan by Louis St. Gaudens, The Metropolitan Museum of Art

Piping Pan

Louis St. Gaudens (d. 1913)

ca. 1882, cast 1914 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Veil of St. Veronica (or The Head of St. John the Baptist with Two Angels Holding a Cloth with an Impression of It), from "Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino"

James Nevay (d. 1811)

1764 · Etching, printed in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Veil of St. Veronica (or The Head of St. John the Baptist with Two Angels Holding a Cloth with an Impression of It)

James Nevay (d. 1811)

ca. 1764 · Etching, printed in brown and black ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate

Olga St. John (d. 9999)

ca. 1900 · Porcelain, overglaze enamel decoration

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.