
Panel with St. Peter or St. Paul (?)
Unrecorded maker
500s · Elephant ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
600 ms. The Metropolitan Museum of Art, Collection API (Open Access)
579 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,049 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Panel with St. Peter or St. Paul (?)
Unrecorded maker
500s · Elephant ivory
Cleared · Public Domain
live
Coffret with Woodcut of Saint Veronica's Vernicle
Hans Burgkmair the Elder (d. 1531)
Coffret: c. 1515; Woodcut: c. 1509 · Print, Wood, leather, iron, textile, woodcut with stenciled coloring
Cleared · CC0
live
St. Cosmas or St. Damian (?)
Unrecorded maker
ca. 1470 · Sandstone
Cleared · Public Domain
live
Saint Veronica between Saints Peter and Paul, from "The Small Passion"
Albrecht Dürer (d. 1528)
1510 · Woodcut
Cleared · Public Domain
live
St. Catherine of Alexandria
Wenceslaus Hollar (d. 1677)
1644–52 · Etching and engraving; second state of two
Cleared · Public Domain
live
Face of Christ on St. Veronica's Veil
Dudesert or Du Desert (d. 1800)
1735 · Engraving; copy after Mellan
Cleared · Public Domain
live
The City Rout
Richard St. George Mansergh St. George (d. 1798)
May 20, 1776 · Etching
Cleared · Public Domain
live
Veil of St Veronica (sudarium)
Anonymous Mexican Artist
19th century · Woodcut (re-strike?)
Cleared · Public Domain
live
Piping Pan
Louis St. Gaudens (d. 1913)
ca. 1882, cast 1914 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Veil of St. Veronica (or The Head of St. John the Baptist with Two Angels Holding a Cloth with an Impression of It), from "Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino"
James Nevay (d. 1811)
1764 · Etching, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Veil of St. Veronica (or The Head of St. John the Baptist with Two Angels Holding a Cloth with an Impression of It)
James Nevay (d. 1811)
ca. 1764 · Etching, printed in brown and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate
Olga St. John (d. 9999)
ca. 1900 · Porcelain, overglaze enamel decoration
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.