A Spring Shower
Giovanni Domenico Tiepolo (d. 1804)
1797–1804 · Drawing, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
383 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 54 matching records exist across the two collections.
Results for "Venetian Scene"10 records
Institutions answered newest-first by record, interleaved
Apollo and the Muses Awakened by the Call of Fame
Jacopo Palma il Giovane (d. 1628)
1590s · Drawing, pen and brown ink and brush and brown wash over graphite
Cleared · CC0
liveCleveland Museum of ArtSimilar
A Young Woman Buying a Pink from a Young Man
Giovanni Battista Piazzetta (d. 1754)
c. 1740 · Drawing, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782
Francesco Guardi (d. 1793)
c. 1783 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto)
Francesco Guardi (d. 1793)
1782 · Drawing, pen and brown ink with brush and brown wash
Cleared · CC0
liveCleveland Museum of ArtSimilar
A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso)
Francesco Guardi (d. 1793)
1782 · Drawing, pen and brown ink with brush and brown wash
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Dead Christ with Angels
Leandro Bassano (d. 1623)
c. 1580 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782 and Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782 (pair)
Francesco Guardi (d. 1793)
c. 1783 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Landscape with a Milkmaid
Niccolo Boldrini (d. 1566)
c. 1525 · Print, woodcut
Cleared · CC0
liveCleveland Museum of ArtSimilar
Three Sketches of Arches (verso)
Francesco Guardi (d. 1793)
1782 · Drawing, pen and brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.