
Episodes in the Story of the Vengeance of Our Lord
Unrecorded maker
ca. 1460–70 · Wool warp, wool wefts with a few silk wefts
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
432 ms. The Metropolitan Museum of Art, Collection API (Open Access)
324 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9,248 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Episodes in the Story of the Vengeance of Our Lord
Unrecorded maker
ca. 1460–70 · Wool warp, wool wefts with a few silk wefts
Cleared · Public Domain
live
Likembe
Bateke people
late 19th century · Wood, metal
Cleared · Public Domain
live
Shak-Shak
Atorios People
19th century · wood, gourd, feathers, cord
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fantastical Creatures: for "Vengeance of the Female" (Bradley: His Book, July 1896)
William Henry Bradley (d. 1962)
1896 · Black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration for "The Vengeance of the Female" (Bradley: His Book)
William Henry Bradley (d. 1962)
July 1896 · Black ink with blue pen
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Virgin and Child: for "Vengeance of the Female" (Bradley: His Book)
William Henry Bradley (d. 1962)
July 1896 · Black ink and white gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vengeance of the people
Leopoldo Méndez (d. 1969)
1941 · Linocut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.