Four Studies after Giambologna's "Venus Leaving the Bath"
Hans Bock the Younger (d. 1626)
ca. 1590 · Pen and brown and black ink, brush and gray wash
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
575 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 605 matching records exist across the two collections.
Results for "Venus after the Bath"12 records
Institutions answered newest-first by record, interleaved
Venus after the Bath
Giambologna (d. 1608)
c. 1600 · Sculpture, bronze
Cleared · CC0
liveCleveland Museum of ArtSimilar
Venus Leaving the Bath, and Cupid
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash
Cleared · Public Domain
liveThe MetSimilar
Fontaine du Jardin du Luxembourg (grotte de Marie de Médécis)
Charles Marville (d. 1879)
c. 1850 · Photograph, Salted paper print, Blanquart-Évrard process
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mars and Venus in the Bath
Giovanni David (d. 1790)
1770–90 · Etching
Cleared · Public Domain
liveThe MetSimilar
Two Beauties after the Bath
Torii Kiyonaga (d. 1815)
18th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
liveThe MetSimilar
Venus, or the Bath
Joseph Constantine Stadler (d. 1822)
1822 or earlier · Aquatint with watercolor
Cleared · Public Domain
liveThe MetSimilar
Bath of Venus
Sir Edward Burne-Jones (d. 1898)
1890s · Metallic paint over graphite
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus after Her Bath
Marcantonio Raimondi (d. 1534)
ca. 1500–1534 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17e: Venus Disarming Cupid; the goddess on the left, seated in front of a herm, holding aloft a bow out of Cupid's reach
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching and drypoint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Roses with a Glass Goblet and a Cast of Giovanni Bologna's "Venus after the Bath"
Julian Alden Weir (d. 1919)
1884 · Pencil, watercolor, and gouache on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
After the Bath
Suzanne Valadon (d. 1938)
1893 · Black crayon on tan wove paper (possibly lithograph transfer paper), back with white rice paper for conservation
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.