
Venus Discovering the Dead Adonis
Unrecorded maker
c. 1650 · Painting, oil on canvas
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
331 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 6 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Venus Discovering the Dead Adonis
Unrecorded maker
c. 1650 · Painting, oil on canvas
Cleared · CC0
live
Landscape with Venus and Adonis
Gillis van Coninxloo (d. 1607)
1580s · Painting, oil on copper
Cleared · CC0
live
Venus Wounded by a Rose's Thorn
Marco Dente (d. 1527)
c. 1516 · Print, engraving
Cleared · CC0
live
Venus and Adonis
Georg Raphael Donner (d. 1741)
mid-1700s · Sculpture, lead
Cleared · CC0
live
Venus and Adonis
Unrecorded maker
1713 · Drawing, black chalk, pen and gray ink with brown wash
Cleared · CC0
live
Six large upright landscapes with scenes from Ovid's Metamorphoses: Venus and Adonis
Anthonie Waterloo (d. 1690)
1640–90 · Print, etching
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.