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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    174 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 110 matching records exist across the two collections.

Results for "Venus and Adonis from a set of Mythologi"12 records

Institutions answered newest-first by record, interleaved

Medor and  Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape by Marcantonio Raimondi, The Metropolitan Museum of Art

Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape

Marcantonio Raimondi (d. 1534)

ca. 1510–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
Medor and  Angelica from Lodovico Ariosto's "Orlando Furioso", or Venus and Adonis embracing, set within a landscape by Marcantonio Raimondi, The Metropolitan Museum of Art

Medor and Angelica from Lodovico Ariosto's "Orlando Furioso", or Venus and Adonis embracing, set within a landscape

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving

Cleared · Public Domain

live
The MetSimilar
Venus and Cupid by Paul Hubner, The Metropolitan Museum of Art

Venus and Cupid

Paul Hubner (d. 1650)

model ca. 1590–1600 (possibly cast 17th century) · Copper alloy with a light brown patina under a dark lacquer patina; pierced at the top.

Cleared · Public Domain

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The MetSimilar
Venus and Cupid in a Decorative Frame with Grotesques, from the Judgment of Paris by Adriaen Collaert, The Metropolitan Museum of Art

Venus and Cupid in a Decorative Frame with Grotesques, from the Judgment of Paris

Adriaen Collaert (d. 1618)

ca. 1580–1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Venus and Adonis by Peter Paul Rubens, The Metropolitan Museum of Art

Venus and Adonis

Peter Paul Rubens (d. 1640)

probably mid-1630s · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Venus and Adonis from a set of Mythological Subjects after Raphael by Raphael (Raffaello Sanzio or Santi), The Metropolitan Museum of Art

Venus and Adonis from a set of Mythological Subjects after Raphael

Raphael (Raffaello Sanzio or Santi) (d. 1520)

designed 1686, woven 1686–90 · Wool, silk, silver thread (21-24 warps per inch, 8 per cm.)

Cleared · Public Domain

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The MetSimilar
Venus in her Chariot from a set of Mythological Subjects after Raphael by Raphael (Raffaello Sanzio or Santi), The Metropolitan Museum of Art

Venus in her Chariot from a set of Mythological Subjects after Raphael

Raphael (Raffaello Sanzio or Santi) (d. 1520)

designed 1686, woven 1689–92 · Wool, silk, silver thread (23-26 warps per inch, 10-11 per cm.)

Cleared · Public Domain

live
The MetSimilar
Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis by Benoit Audran the Elder, The Metropolitan Museum of Art

Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis

Benoit Audran the Elder (d. 1721)

before 1741 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Design for the Fontana di Venere e Adone, Reggia di Caserta, Naples by Fedele Fischetti, The Metropolitan Museum of Art

Design for the Fontana di Venere e Adone, Reggia di Caserta, Naples

Fedele Fischetti (d. 1792)

ca. 1780 · Pen and black ink, gray wash, over black chalk

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), plate 96 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)

Antonio Tempesta (d. 1630)

Published after 1606 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venus and Adonis, from a series of twenty-two plates depicting mythological subjects, plate 11

Jean Le Pautre (d. 1682)

17th century · Etching; first state of four (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venus and Adonis (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters)

James Basire, the elder (d. 1802)

1765–69 · Etching and mezzotint, printed in brown ink

In copyright

live
The MetSimilar

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