
Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape
Marcantonio Raimondi (d. 1534)
ca. 1510–27 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
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Where this page got its records
174 ms. The Metropolitan Museum of Art, Collection API (Open Access)
328 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 110 matching records exist across the two collections.
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Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape
Marcantonio Raimondi (d. 1534)
ca. 1510–27 · Engraving
Cleared · Public Domain
live
Medor and Angelica from Lodovico Ariosto's "Orlando Furioso", or Venus and Adonis embracing, set within a landscape
Marcantonio Raimondi (d. 1534)
ca. 1500–34 · Engraving
Cleared · Public Domain
live
Venus and Cupid
Paul Hubner (d. 1650)
model ca. 1590–1600 (possibly cast 17th century) · Copper alloy with a light brown patina under a dark lacquer patina; pierced at the top.
Cleared · Public Domain
live
Venus and Cupid in a Decorative Frame with Grotesques, from the Judgment of Paris
Adriaen Collaert (d. 1618)
ca. 1580–1600 · Engraving
Cleared · Public Domain
live
Venus and Adonis
Peter Paul Rubens (d. 1640)
probably mid-1630s · Oil on canvas
Cleared · Public Domain
live
Venus and Adonis from a set of Mythological Subjects after Raphael
Raphael (Raffaello Sanzio or Santi) (d. 1520)
designed 1686, woven 1686–90 · Wool, silk, silver thread (21-24 warps per inch, 8 per cm.)
Cleared · Public Domain
live
Venus in her Chariot from a set of Mythological Subjects after Raphael
Raphael (Raffaello Sanzio or Santi) (d. 1520)
designed 1686, woven 1689–92 · Wool, silk, silver thread (23-26 warps per inch, 10-11 per cm.)
Cleared · Public Domain
live
Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis
Benoit Audran the Elder (d. 1721)
before 1741 · Engraving and etching
Cleared · Public Domain
live
Design for the Fontana di Venere e Adone, Reggia di Caserta, Naples
Fedele Fischetti (d. 1792)
ca. 1780 · Pen and black ink, gray wash, over black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), plate 96 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta (d. 1630)
Published after 1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus and Adonis, from a series of twenty-two plates depicting mythological subjects, plate 11
Jean Le Pautre (d. 1682)
17th century · Etching; first state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus and Adonis (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters)
James Basire, the elder (d. 1802)
1765–69 · Etching and mezzotint, printed in brown ink
In copyright
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