Cupid Complaining to Venus
Peter Flötner (d. 1546)
c. 1540–46 · Sculpture, lead
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
481 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 16 matching records exist across the two collections.
Results for "Venus and Cupid"12 records
Institutions answered newest-first by record, interleaved
Venus and Cupid in a Chariot
Guercino (d. 1666)
1615–17 · Drawing, Pen and brown ink and brush and brown wash over red chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mars, Minerva, Venus, and Cupid
Valerio Belli (d. 1546)
early 1500s · Sculpture, rock crystal intaglio, gilded from reverse with gold and silver, backed with lapis lazuli, mounted in a gold pendant
Cleared · CC0
liveCleveland Museum of ArtSimilar
Venus, Mars and Cupid
Marcantonio Raimondi
1508 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Venus and Cupid
Jan Saenredam (d. 1607)
c. 1595 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Venus and Cupid
François Boucher (d. 1770)
second or third quarter 18th century · Drawing, Black chalk with stumping heightened with white chalk on blue laid paper; framing lines in brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of Francesca Gommi Maratti
Carlo Maratti (d. 1713)
c. 1701 · Painting, Oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Nymphs and a Satyr (Amor Vincit Omnia)
Nicolas Poussin (d. 1665)
c. 1625–27 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Love Requests Venus to Return His Weapons to Him
Louis-Marin Bonnet (d. 1793)
1768 · Print, chalk-manner etching and engraving printed in color
Cleared · CC0
liveCleveland Museum of ArtSimilar
Venus and Cupid
Jean-Jacques Feuchère (d. 1852)
c. 1840–1850 · Sculpture, terracotta
Cleared · CC0
liveCleveland Museum of ArtSimilar
Venus (from the Tarocchi, series A: Firmaments of the Universe, #43)
Master of the E-Series Tarocchi
before 1467 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mars, Venus, and Cupid
Allaert Claesz.
1520s · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.