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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    237 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 859 matching records exist across the two collections.

Results for "Venus and Vulcan"12 records

Institutions answered newest-first by record, interleaved

Vulcan Building a Fence Around the Mount of Venus by Giovanni Bellini, The Metropolitan Museum of Art

Vulcan Building a Fence Around the Mount of Venus

Giovanni Bellini (d. 1516)

late 15th century · Pen and brown ink, over traces of black chalk.

Cleared · Public Domain

live
The MetSimilar
Venus at the Forge of Vulcan by Louis Félix de La Rue, The Cleveland Museum of Art

Venus at the Forge of Vulcan

Louis Félix de La Rue (d. 1777)

18th century · Drawing, Pen and brown ink, and brown wash (bistre) with red chalk and traces of graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venus and Vulcan Surrounded by Cupids by Agostino Veneziano (Agostino dei Musi), The Metropolitan Museum of Art

Venus and Vulcan Surrounded by Cupids

Agostino Veneziano (Agostino dei Musi) (d. 1536)

dated 1530 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate by an unrecorded maker, The Cleveland Museum of Art

Plate

Unrecorded maker

c. 1540–1544 · Ceramic, tin-glazed earthenware (maiolica)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venus and Vulcan at the Forge by Giorgio Ghisi, The Metropolitan Museum of Art

Venus and Vulcan at the Forge

Giorgio Ghisi (d. 1582)

ca. 1555 · Engraving

Cleared · Public Domain

live
The MetSimilar
Venus and Vulcan at the Forge by Giorgio Ghisi, The Metropolitan Museum of Art

Venus and Vulcan at the Forge

Giorgio Ghisi (d. 1582)

mid-1550s · Engraving

Cleared · Public Domain

live
The MetSimilar
Venus and Vulcan Seated on a Bed and Three Putti by Giorgio Ghisi, The Metropolitan Museum of Art

Venus and Vulcan Seated on a Bed and Three Putti

Giorgio Ghisi (d. 1582)

mid-1550s · Engraving

Cleared · Public Domain

live
The MetSimilar
Mars and Venus by Hendrick Goltzius, The Metropolitan Museum of Art

Mars and Venus

Hendrick Goltzius (d. 1617)

1588 · Engraving

Cleared · Public Domain

live
The MetSimilar
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso) by Sebastiano Conca, The Metropolitan Museum of Art

Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)

Sebastiano Conca (d. 1764)

ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)

Cleared · Public Domain

live
The MetSimilar
Venus and Vulcan by Andrea Brustolon, The Metropolitan Museum of Art

Venus and Vulcan

Andrea Brustolon (d. 1732)

ca. 1720–30 · Hardwood (probably boxwood)

Cleared · Public Domain

live
The MetSimilar
Venus Begging Arms From Vulcan by Simon Francis Ravenet, the elder, The Metropolitan Museum of Art

Venus Begging Arms From Vulcan

Simon Francis Ravenet, the elder (d. 1774)

ca. 1753–56 · Enamel on copper; transfer-printed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venus and Vulcan at the Forge

Giorgio Ghisi (d. 1582)

mid-1550s · Engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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