
Apollo and Daphne
Andrea Brustolon (d. 1732)
ca. 1720–30 · Hardwood (probably boxwood)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
261 ms. The Metropolitan Museum of Art, Collection API (Open Access)
379 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 76 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Apollo and Daphne
Andrea Brustolon (d. 1732)
ca. 1720–30 · Hardwood (probably boxwood)
Cleared · Public Domain
live
Venus and Vulcan
Andrea Brustolon (d. 1732)
ca. 1720–30 · Hardwood (probably boxwood)
Cleared · Public Domain
live
Venus entrusting Cupid to Time
Giovanni Domenico Tiepolo (d. 1804)
1758–80 · Etching; second state of three (Succi)
Cleared · Public Domain
live
Sampler
Martha (Patty) Coggeshall (d. 1797)
ca. 1792 · Silk and metal thread embroidery on linen
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an oval hand mirror: Medea rejuvenating Pelias
Etienne Delaune (d. 1583)
1561 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three frame fragments; the one at the top ornamented with a medallion depicting Venus in her Chariot, from Bordures de tableaux à la romaine, plate 3, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
ca. 1656–57 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a ceiling decoration depicting a goddess (Venus?) in her chariot, plate 4 from 'Nouveaux ornements ou plafonds', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
ca. 1656–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette, third canto, depicting Paris with his hand extended towards Venus, who holds the apple in her hand; Minerva is seen from behind, wearing her helmet; Juno flees in a chariot drawn by peacocks, from Le Jugement de Paris Poëme en IV. Chants Suivi d'Oevres mêlées.. Nouvelle édition corrigée et augmentée par Mr. Imbert. Amsterdam MDCCLXXIV.
Nicolas de Launay (d. 1792)
1772 · Etching and engraving; second state of two (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase (one of a pair
Josiah Wedgwood and Sons (d. 9999)
ca. 1785–1800 · Jasperware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ceres in her chariot, holding a cornucopia, pulled by two serpents, plate 10 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli (d. 1824)
1803 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus in her chariot, pulled by two flying cupids, plate 9 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli (d. 1824)
1803 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase (one of a pair)
Josiah Wedgwood and Sons (d. 9999)
ca. 1785–1800 · Jasperware
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.