
Mars, Venus and Cupid with Vulcan at his forge (the Mantuan Roundel)
Gian Marco Cavalli (d. 1508)
ca. 1500 · Parcel-gilt bronze with silver inlay, integrally cast gilt frame with suspension loop.
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
317 ms. The Metropolitan Museum of Art, Collection API (Open Access)
629 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 126 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mars, Venus and Cupid with Vulcan at his forge (the Mantuan Roundel)
Gian Marco Cavalli (d. 1508)
ca. 1500 · Parcel-gilt bronze with silver inlay, integrally cast gilt frame with suspension loop.
Cleared · Public Domain
live
Venus naked sitting at right drying her foot with a piece of drapery, Cupid, in front of her, holding a bow in his right hand
Anonymous
ca. 1520–30 · Engraving
Cleared · Public Domain
live
Venus and the Lute Player
Titian (d. 1576)
ca. 1565–70 · Oil on canvas
Cleared · Public Domain
live
Realm of Venus
Wenceslaus Hollar (d. 1677)
1646 · Etching, only state
Cleared · Public Domain
live
Seated figure of Diana the Huntress
Wenceslaus Hollar (d. 1677)
1644–52 · Etching,drypoint and engraving added by Paulus Pontius; third state of four
Cleared · Public Domain
live
Venus of Urbino
Thomas Rowlandson (d. 1827)
1799 · Etching and stipple, printed in brown ink
Cleared · Public Domain
live
Summer Amusement at Margate, or a Peep at the Mermaids
Thomas Rowlandson (d. 1827)
September 1, 1813 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Envy or Famine (Invidia), no. 4 in a set of 4 allegorical figures
Etienne Delaune (d. 1583)
1575 (?) · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Famine (Fames), no. 4 in a set of 4 allegorical figures
Etienne Delaune (d. 1583)
1575 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus Anadyomene, or Venus Rising from the Sea
Valentine Green (d. 1813)
1772 · Mezzotint; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
“Harunobu’s Bathtub,” from the series: A Hundred Shades of Ink of Edo
Paul Binnie (d. 9999)
2007 · Woodblock print (nishiki-e); ink, color, and mica on paper; large vertical ōban
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.