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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    317 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    629 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 126 matching records exist across the two collections.

Results for "Venus naked sitting at right drying her"11 records

Institutions answered newest-first by record, interleaved

Mars, Venus and Cupid with Vulcan at his forge (the Mantuan Roundel) by Gian Marco Cavalli, The Metropolitan Museum of Art

Mars, Venus and Cupid with Vulcan at his forge (the Mantuan Roundel)

Gian Marco Cavalli (d. 1508)

ca. 1500 · Parcel-gilt bronze with silver inlay, integrally cast gilt frame with suspension loop.

Cleared · Public Domain

live
The MetSimilar
Venus naked sitting at right drying her foot with a piece of drapery, Cupid, in front of her, holding a bow in his right hand by Anonymous, The Metropolitan Museum of Art

Venus naked sitting at right drying her foot with a piece of drapery, Cupid, in front of her, holding a bow in his right hand

Anonymous

ca. 1520–30 · Engraving

Cleared · Public Domain

live
The MetSimilar
Venus and the Lute Player by Titian, The Metropolitan Museum of Art

Venus and the Lute Player

Titian (d. 1576)

ca. 1565–70 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Realm of Venus by Wenceslaus Hollar, The Metropolitan Museum of Art

Realm of Venus

Wenceslaus Hollar (d. 1677)

1646 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Seated figure of Diana the Huntress by Wenceslaus Hollar, The Metropolitan Museum of Art

Seated figure of Diana the Huntress

Wenceslaus Hollar (d. 1677)

1644–52 · Etching,drypoint and engraving added by Paulus Pontius; third state of four

Cleared · Public Domain

live
The MetSimilar
Venus of Urbino by Thomas Rowlandson, The Metropolitan Museum of Art

Venus of Urbino

Thomas Rowlandson (d. 1827)

1799 · Etching and stipple, printed in brown ink

Cleared · Public Domain

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The MetSimilar
Summer Amusement at Margate, or a Peep at the Mermaids by Thomas Rowlandson, The Metropolitan Museum of Art

Summer Amusement at Margate, or a Peep at the Mermaids

Thomas Rowlandson (d. 1827)

September 1, 1813 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Envy or Famine (Invidia), no. 4 in a set of 4 allegorical figures

Etienne Delaune (d. 1583)

1575 (?) · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Famine (Fames), no. 4 in a set of 4 allegorical figures

Etienne Delaune (d. 1583)

1575 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venus Anadyomene, or Venus Rising from the Sea

Valentine Green (d. 1813)

1772 · Mezzotint; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

“Harunobu’s Bathtub,” from the series: A Hundred Shades of Ink of Edo

Paul Binnie (d. 9999)

2007 · Woodblock print (nishiki-e); ink, color, and mica on paper; large vertical ōban

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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