
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
203 ms. The Metropolitan Museum of Art, Collection API (Open Access)
390 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Settee (canapé) (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Marie Antoinette in a Park
Elisabeth Louise Vigée Le Brun (d. 1842)
ca. 1780–81 · Black chalk, stumped, and white chalk; framing lines in black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Beechwood, gilded
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dixième Cahier du Recueil d'Ornemens: Trophées du Bosquet des Domes, dans le Parc de Versailles (Designs for trophies taken from the marble balustrade in the Bosquet des Domes in the gardens of the Palace of Versailles)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe particuliere de la Châpelle du Chateau de Versailles, Prise du Coté de la Cour (View of the Chapelle at the Chateau of Versailles, from the Courtyard Side)
Jean-Baptise Rigaud
18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Premiere journée: Représentations d'Alceste dans la cour de marbre du château de Versailles
Jean Le Pautre (d. 1682)
1675–76, reprinted ca. 1860
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Versailles - Cour du Parc
Eugène Atget (d. 1927)
1902 · Albumen silver print from glass negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.