Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    203 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    390 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Versailles - Cour du Parc"10 records

Institutions answered newest-first by record, interleaved

Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Settee (canapé) (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Settee (canapé) (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Marie Antoinette in a Park by Elisabeth Louise Vigée Le Brun, The Metropolitan Museum of Art

Marie Antoinette in a Park

Elisabeth Louise Vigée Le Brun (d. 1842)

ca. 1780–81 · Black chalk, stumped, and white chalk; framing lines in black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Beechwood, gilded

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dixième Cahier du Recueil d'Ornemens: Trophées du Bosquet des Domes, dans le Parc de Versailles (Designs for trophies taken from the marble balustrade in the Bosquet des Domes in the gardens of the Palace of Versailles)

Louise Brinclaire (d. 1783)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vüe particuliere de la Châpelle du Chateau de Versailles, Prise du Coté de la Cour (View of the Chapelle at the Chateau of Versailles, from the Courtyard Side)

Jean-Baptise Rigaud

18th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Premiere journée: Représentations d'Alceste dans la cour de marbre du château de Versailles

Jean Le Pautre (d. 1682)

1675–76, reprinted ca. 1860

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Versailles - Cour du Parc

Eugène Atget (d. 1927)

1902 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.