
Relief panel
Unrecorded maker
ca. 883–859 BCE · Gypsum alabaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3853 ms. The Metropolitan Museum of Art, Collection API (Open Access)
348 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,175 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief panel
Unrecorded maker
ca. 883–859 BCE · Gypsum alabaster
Cleared · Public Domain
live
Panel with a tree pattern
Unrecorded maker
ca. 8th century BCE · Ivory, wood (modern)
Cleared · Public Domain
live
Glass two-handled bottle
Unrecorded maker
1st half of 1st century CE · Glass
Cleared · Public Domain
live
Opera Nova Universali intitulata Corona di racammi, page 35 (verso)
Giovanni Andrea Vavassore (d. 1573)
[1530] · Woodcut
Cleared · Public Domain
live
Panel of tiles
Masséot Abaquesne (d. 1557)
ca. 1549–51 · Faience (tin-glazed earthenware)
Cleared · Public Domain
live
Panel of tiles (8)
Unrecorded maker
ca. 1660 · Faience (tin-glazed earthenware)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grotesque Panel with a Winged Figure supporting a Pergola
Cornelis Bos (d. 1556)
ca. 1544–48 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vertical panel with an oval scene at center with a view into the nave and choir of a church, with interlaced bands in the corners, plate 18, from Variæ Architecturæ Formae
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with Three Intact Vases and a Broken One, with Ruins in the Background, from a Series with Vases and Candlesticks in Landscapes
Henri II Bonnart (d. 1711)
18th century · Engraving, etching in red-brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vertical Panel with Amorphous Shapes Divided into Color Blocks Against a Black Background with Gold Line
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vertical Panel Divided into Two Rectangular Sections, with a Multi-Colored Fan on a Gray Background at Top
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inyeqamo (screen)
Tutsi artist
ca. 1940 · Fiber
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.