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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3853 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    348 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,175 matching records exist across the two collections.

Results for "Vertical Panel Divided into Two Rectangu"12 records

Institutions answered newest-first by record, interleaved

Relief panel by an unrecorded maker, The Metropolitan Museum of Art

Relief panel

Unrecorded maker

ca. 883–859 BCE · Gypsum alabaster

Cleared · Public Domain

live
The MetSimilar
Panel with a tree pattern by an unrecorded maker, The Metropolitan Museum of Art

Panel with a tree pattern

Unrecorded maker

ca. 8th century BCE · Ivory, wood (modern)

Cleared · Public Domain

live
The MetSimilar
Glass two-handled bottle by an unrecorded maker, The Metropolitan Museum of Art

Glass two-handled bottle

Unrecorded maker

1st half of 1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Opera Nova Universali intitulata Corona di racammi, page 35 (verso) by Giovanni Andrea Vavassore, The Metropolitan Museum of Art

Opera Nova Universali intitulata Corona di racammi, page 35 (verso)

Giovanni Andrea Vavassore (d. 1573)

[1530] · Woodcut

Cleared · Public Domain

live
The MetSimilar
Panel of tiles by Masséot Abaquesne, The Metropolitan Museum of Art

Panel of tiles

Masséot Abaquesne (d. 1557)

ca. 1549–51 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Panel of tiles (8) by an unrecorded maker, The Metropolitan Museum of Art

Panel of tiles (8)

Unrecorded maker

ca. 1660 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel with a Winged Figure supporting a Pergola

Cornelis Bos (d. 1556)

ca. 1544–48 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical panel with an oval scene at center with a view into the nave and choir of a church, with interlaced bands in the corners, plate 18, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panel with Three Intact Vases and a Broken One, with Ruins in the Background, from a Series with Vases and Candlesticks in Landscapes

Henri II Bonnart (d. 1711)

18th century · Engraving, etching in red-brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical Panel with Amorphous Shapes Divided into Color Blocks Against a Black Background with Gold Line

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical Panel Divided into Two Rectangular Sections, with a Multi-Colored Fan on a Gray Background at Top

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inyeqamo (screen)

Tutsi artist

ca. 1940 · Fiber

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.