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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    592 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 281 matching records exist across the two collections.

Results for "Vertumnus and Pomona, from a series of t"7 records

Institutions answered newest-first by record, interleaved

Vertumnus and Pomona by François Boucher, The Metropolitan Museum of Art

Vertumnus and Pomona

François Boucher (d. 1770)

1770 · Brown chalk

Cleared · Public Domain

live
The MetSimilar
Allegories of Air (Cephalus and Aurora) and Earth (Vertumnus and Pomona) by Jacques Germain Soufflot, The Metropolitan Museum of Art

Allegories of Air (Cephalus and Aurora) and Earth (Vertumnus and Pomona)

Jacques Germain Soufflot (d. 1780)

designed 1758–67, woven 1764–71 · Wool, silk (22-24 warps per inch, 9-10 per cm)

Cleared · Public Domain

live
The MetSimilar
Vertumnus and Pomona from a set of Scenes from Operas by François Boucher, The Metropolitan Museum of Art

Vertumnus and Pomona from a set of Scenes from Operas

François Boucher (d. 1770)

1758–76 · Wool, silk (21-22 warps per inch, 8 per cm.)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertumnus and Pomona, from a series of twenty plates depicting mythological subjects, plate 2, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plenty or Pomona, the Goddess of Plenty, Gardens and Orchards

John Skillin (d. 1800)

ca. 1790 · Painted wood (possibly oak)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

GENTLEMENS/ CABIN

J. & T. Edwards (d. 1841)

ca. 1841 · Earthenware, transfer-printed

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eddie T. Collins from Baseball Exhibits series (W461)

Exhibit Supply Company (d. 1971)

1921 · Commercial photolithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.