Border Designs for the Mortlake "Acts of the Apostles" Tapestries
Franz Cleyn (d. 1658)
ca. 1626–36 · Watercolor with white heightening, details in pen and ink and graphite
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
338 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
288 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Results for "Vesta Victoria at the Old Bedford"12 records
Institutions answered newest-first by record, interleaved
Watch with scenes from the story of Rebekah at the well
Johannes van Ceulen (d. 1715)
ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
liveThe MetSimilar
Piece with pheasants and exotic flowers
Bromley Hall Printworks (d. 1823)
1765–75 · Fustian, copperplate printed
Cleared · Public Domain
liveThe MetSimilar
On the Gulf of Salerno near Vietri
John Robert Cozens (d. 1797)
September 1782 or later · Brush and watercolor over faint traces of graphite
Cleared · Public Domain
liveThe MetSimilar
Llanberis Lake, North Wales
Samuel Jackson (d. 1869)
1820–30 · Monochrome watercolor, heightened with white and scratching out
Cleared · Public Domain
liveThe MetSimilar
Sampler
Mary Ann Stauffer (d. 1896)
1830 · Silk embroidery on linen
Cleared · Public Domain
liveThe MetSimilar
Woman from the French Colonies
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Algerian onyx-marble, bronze, and enamel; white marble socle
Cleared · Public Domain
liveThe MetSimilar
The Ballet from "Robert le Diable"
Edgar Degas (d. 1917)
1871 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Victoria, from the Vehicles of the World series (N90) for Duke brand cigarettes
W. Duke, Sons & Co. (d. 1920)
1888 · Commercial color lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coronation of Queen Victoria
Henry Thomas Ryall (d. 1867)
1880–90 · Mixed method engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vesta Victoria at the Old Bedford
Walter Richard Sickert (d. 1942)
ca. 1890 · Black chalk with white heightening, pen and ink, lines from blue transfer paper, on brown paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Shepherd's Chief Mourner
Timothy Cole (d. 1931)
1900 · Wood engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.