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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    322 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    264 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 429 matching records exist across the two collections.

Results for "View from South Melrose, Looking South:"12 records

Institutions answered newest-first by record, interleaved

Arundel House from the South by Wenceslaus Hollar, The Metropolitan Museum of Art

Arundel House from the South

Wenceslaus Hollar (d. 1677)

1646 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
South West View of the City of New York in North America by Pierre Charles Canot, The Metropolitan Museum of Art

South West View of the City of New York in North America

Pierre Charles Canot (d. 1777)

late 18th century · Etching

Cleared · Public Domain

live
The MetSimilar
View of South Street, from Maiden Lane, New York City by William James Bennett, The Metropolitan Museum of Art

View of South Street, from Maiden Lane, New York City

William James Bennett (d. 1844)

ca. 1827 · Watercolor on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
South St. from Maiden Lane by William James Bennett, The Metropolitan Museum of Art

South St. from Maiden Lane

William James Bennett (d. 1844)

1834 · Aquatint

Cleared · Public Domain

live
The MetSimilar
From the Catskills Looking South (from Sketchbook) by John William Casilear, The Metropolitan Museum of Art

From the Catskills Looking South (from Sketchbook)

John William Casilear (d. 1893)

1834–38 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
View of Transept, Looking South by Hugh Owen, The Metropolitan Museum of Art

View of Transept, Looking South

Hugh Owen (d. 1897)

1851 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Haarlem from the South

Jan van de Velde II (d. 1641)

1613–41 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from South Melrose, Looking South: Mott Haven, Harlem, Mount Morris, and Yorkville in the Distance

John L. Magee (d. 1867)

ca. 1840 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Port of New York, Bird's Eye View from the Battery, Looking South

Parsons & Atwater (d. 1900)

1872 · Colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Broadway, Looking South from Prince Street, New York]

Unknown

1860–76 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

2. Looking South from Mt. Pisgah Plane [?]

G. F. Gates

1860s–80s · Albumen silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Looking South from Mt. Tom, Mass.

Unrecorded maker

1900s–1930s · Photomechanical print

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.