
Arundel House from the South
Wenceslaus Hollar (d. 1677)
1646 · Etching, only state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
322 ms. The Metropolitan Museum of Art, Collection API (Open Access)
264 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 429 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Arundel House from the South
Wenceslaus Hollar (d. 1677)
1646 · Etching, only state
Cleared · Public Domain
live
South West View of the City of New York in North America
Pierre Charles Canot (d. 1777)
late 18th century · Etching
Cleared · Public Domain
live
View of South Street, from Maiden Lane, New York City
William James Bennett (d. 1844)
ca. 1827 · Watercolor on off-white wove paper
Cleared · Public Domain
live
South St. from Maiden Lane
William James Bennett (d. 1844)
1834 · Aquatint
Cleared · Public Domain
live
From the Catskills Looking South (from Sketchbook)
John William Casilear (d. 1893)
1834–38 · Graphite on off-white wove paper
Cleared · Public Domain
live
View of Transept, Looking South
Hugh Owen (d. 1897)
1851 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Haarlem from the South
Jan van de Velde II (d. 1641)
1613–41 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from South Melrose, Looking South: Mott Haven, Harlem, Mount Morris, and Yorkville in the Distance
John L. Magee (d. 1867)
ca. 1840 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Port of New York, Bird's Eye View from the Battery, Looking South
Parsons & Atwater (d. 1900)
1872 · Colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Broadway, Looking South from Prince Street, New York]
Unknown
1860–76 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
2. Looking South from Mt. Pisgah Plane [?]
G. F. Gates
1860s–80s · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Looking South from Mt. Tom, Mass.
Unrecorded maker
1900s–1930s · Photomechanical print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.