Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    748 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    425 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 739 matching records exist across the two collections.

Results for "View from the Artist's Studio Window, Ro"12 records

Institutions answered newest-first by record, interleaved

Tem. Ro. Penatibus Dicatu, from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Tem. Ro. Penatibus Dicatu, from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

live
The MetSimilar
Tem. Ro. Penatibus Dicatu, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Tem. Ro. Penatibus Dicatu, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving [plate has very sharp edges]

Cleared · Public Domain

live
The MetSimilar
Partial view of a Building [Tem Ro Penatibus Dicatu], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles" by Lambert Suavius, The Metropolitan Museum of Art

Partial view of a Building [Tem Ro Penatibus Dicatu], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"

Lambert Suavius (d. 1576)

1554 · Etching

Cleared · Public Domain

live
The MetSimilar
View of Lyon by Philippe Auguste Hennequin, The Metropolitan Museum of Art

View of Lyon

Philippe Auguste Hennequin (d. 1762)

ca. 1793–95 · Pen and brown ink, brush and gray wash, over traces of black chalk on two joined sheets of paper

Cleared · Public Domain

live
The MetSimilar
[View Down Brattle Street from the Southworth & Hawes Studio at 5 1/2 Tremont Row, Boston] by Southworth and Hawes, The Metropolitan Museum of Art

[View Down Brattle Street from the Southworth & Hawes Studio at 5 1/2 Tremont Row, Boston]

Southworth and Hawes (d. 1863)

1855 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
[Two Young Women at Window] by Andrei Osipovich Karelin, The Metropolitan Museum of Art

[Two Young Women at Window]

Andrei Osipovich Karelin (d. 1906)

ca. 1870 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
View from the Artist's Studio Window, Rome by Max Klinger, The Metropolitan Museum of Art

View from the Artist's Studio Window, Rome

Max Klinger (d. 1920)

1890 · Etching and drypoint

Cleared · Public Domain

live
The MetSimilar
View from the Artist's Studio Window, Rome by Max Klinger, The Metropolitan Museum of Art

View from the Artist's Studio Window, Rome

Max Klinger (d. 1920)

1890 · Etching on thin Chinese paper

Cleared · Public Domain

live
The MetSimilar
View on the Seine: Harp of the Winds by Homer Dodge Martin, The Metropolitan Museum of Art

View on the Seine: Harp of the Winds

Homer Dodge Martin (d. 1897)

1893–95 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
View from the Artist's Window, Grove Street by Robert Frederick Blum, The Metropolitan Museum of Art

View from the Artist's Window, Grove Street

Robert Frederick Blum (d. 1903)

ca. 1900 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York Loft Buildings

Walter Pach (d. 1958)

1918 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from a Balcony

Albert Marquet (d. 1947)

1945 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.