
View of the Colosseum
Richard Wilson (d. 1782)
1751–56 · Black chalk heightened with white chalk on gray paper; sheet laid down on pink paper mount with double border in brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
311 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 218 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of the Colosseum
Richard Wilson (d. 1782)
1751–56 · Black chalk heightened with white chalk on gray paper; sheet laid down on pink paper mount with double border in brown ink
Cleared · Public Domain
live
Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome)
Giovanni Battista Piranesi (d. 1778)
1776 · Etching
Cleared · Public Domain
live
View of the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
Cleared · Public Domain
live
View of the Colosseum and the Arch of Constantine from the Palatine
Charles Rémond (d. 1875)
ca. 1822–24 · Oil on paper, laid down on canvas
Cleared · Public Domain
live
View of the Colosseum from the Basilica of Domitian and the Flavian Palace, Rome
Henri-Joseph Harpignies (d. 1916)
1864 · Watercolor over graphite, lightly squared in graphite
Cleared · Public Domain
live
Study of a Rowboat: View Toward the Stern (from Sketchbook)
Albert Bierstadt (d. 1902)
ca. 1891 · Graphite on wove paper with gilt edges, bound in a leather cover
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior view of the Colosseum, from "Vedute di Roma" (Views of Rome), part I
Francesco Piranesi (d. 1810)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior view of the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; third state of five (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Flavian Amphitheater, called the Colosseum (from the air), from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from the Colosseum toward the Palatine
German Painter
1830 · Oil on paper, laid down on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from Olevano toward the West
Friedrich Nerly (d. 1878)
ca. 1829–35 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch of Constantine Seen from the Colosseum
Lancelot Théodore Turpin de Crissé (d. 1859)
1818–38 · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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