
Fountain and Gardens of the Villa d'Este at Tivoli, from "Speculum Romanae Magnificentiae"
Etienne DuPérac (d. 1604)
1575 · Etching; first state of two (Robert-Dumesnil)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
631 ms. The Metropolitan Museum of Art, Collection API (Open Access)
283 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 130 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fountain and Gardens of the Villa d'Este at Tivoli, from "Speculum Romanae Magnificentiae"
Etienne DuPérac (d. 1604)
1575 · Etching; first state of two (Robert-Dumesnil)
Cleared · Public Domain
live
View of the Garden Terrace of the Villa d'Este at Tivoli
Israel Silvestre (d. 1691)
1643–44 · Pencil, black ink, sepia and gray wash, pale green watercolor.
Cleared · Public Domain
live
Gardens of the Villa d'Este at Tivoli
Charles Joseph Natoire (d. 1777)
1760 · Pen and brown ink, brush and brown and gray wash, watercolor, heightened with white, over black and red chalk
Cleared · Public Domain
live
The Fountain of Rome at the Villa d'Este, Tivoli
Charles Joseph Natoire (d. 1777)
1765 · Pen and brown ink, brush and brown and gray wash, watercolor, heightened with white, over black and red chalk, on faded blue paper
Cleared · Public Domain
live
Tivoli, Villa of Maecenas and part of the Cascatelle
Joseph Mallord William Turner (d. 1851)
1794–97 · Brush and blue-gray wash, over graphite
Cleared · Public Domain
live
Fountains in Gardens of Villa D'Este, Tivoli (Cento Fontanelle)
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and brown ink, brush and gray and blue wash, over black chalk
Cleared · Public Domain
live
A Road below the Villa d'Este at Tivoli
Jean Thomas Thibault (d. 1826)
n.d. · Pen and black ink, watercolor, over traces of graphite and black chalk
Cleared · Public Domain
live
Tivoli
Sanford Robinson Gifford (d. 1880)
1870 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Villa d'Este, Tivoli, from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from the Villa d'Este, Tivoli
Simon Denis (d. 1813)
ca. 1786–1806 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the Gardens of the Villa d'Este
Léon Pallière (d. 1820)
ca. 1814–17 · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.