
Amphitiatri Romani, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
191 ms. The Metropolitan Museum of Art, Collection API (Open Access)
335 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,374 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Amphitiatri Romani, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
Cleared · Public Domain
live
The Arch of Titus and the Coliseum, Rome
Thomas Hartley Cromek (d. 1873)
1846 · Drawing, watercolor with black ink and graphite underdrawing
Cleared · CC0
live
Ruinae Coliseum, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
Cleared · Public Domain
live
View in Rome near the Colosseum
Michiel van Overbeek (d. 1709)
mid-17th–early 18th century · Pen and brown ink, brown wash, on brown paper; framing line in pen and brown ink, possibly by the artist
Cleared · Public Domain
live
View of the Colosseum
Joseph Marie Vien (d. 1809)
ca. 1744–50 · Black and white chalk on blue antique laid paper
Cleared · Public Domain
live
View of the Colosseum
Richard Wilson (d. 1782)
1751–56 · Black chalk heightened with white chalk on gray paper; sheet laid down on pink paper mount with double border in brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amphitiatri Romani (Roman Ruins)
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ruinae Coliseum (Roman Ruins)
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Partie interieure de l'Amphitheatre Flavien dit Le Colisée, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe des restes de Amphithéatre Flavien vulgairement dit Le Colisée, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Colosseum, Rome
Pierre Henri de Valenciennes (d. 1819)
1819 · Oil on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from the Colosseum toward the Palatine
German Painter
1830 · Oil on paper, laid down on cardboard
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.