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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    194 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    365 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 248 matching records exist across the two collections.

Results for "View in the East Nave; The Amazon, by Ki"12 records

Institutions answered newest-first by record, interleaved

View of Rome from the East, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

View of Rome from the East, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
The Huis ten Bosch at The Hague and Its Formal Garden (View from the East) by Jan van der Heyden, The Metropolitan Museum of Art

The Huis ten Bosch at The Hague and Its Formal Garden (View from the East)

Jan van der Heyden (d. 1712)

ca. 1668–70 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano' by Gian Lorenzo Bernini, The Metropolitan Museum of Art

Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano'

Gian Lorenzo Bernini (d. 1680)

1653–91 · Engraving

Cleared · Public Domain

live
The MetSimilar
A South East View of the City of New York, in North America by Pierre Charles Canot, The Metropolitan Museum of Art

A South East View of the City of New York, in North America

Pierre Charles Canot (d. 1777)

ca. 1768 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Overview of the Nave by Giacomo Sangermano, The Metropolitan Museum of Art

Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Overview of the Nave

Giacomo Sangermano (d. 1773)

ca. 1773 · Etching

Cleared · Public Domain

live
The MetSimilar
View in the East Nave; The Greek Slave, by Power [sic], from "Recollections of the Great Exhibition, 1851" by John Absolon, The Metropolitan Museum of Art

View in the East Nave; The Greek Slave, by Power [sic], from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph with gum

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Lateral View of the Vault

Giacomo Sangermano (d. 1773)

ca. 1773 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A South East View of the City of Boston in North America

John Carwitham (d. 1741)

[ca. 1764] reissued ca. 1793 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panoramic View of New York Taken from the East River

Robert Havell Jr. (d. 1878)

1844 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the East Nave; Godfrey of Bouillon, by Simonis, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the East Nave; The Amazon, by Kiss, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the West Nave, from "Recollections of the Great Exhibition, 1851"

Henry Clark Pidgeon (d. 1880)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.