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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    198 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 976 matching records exist across the two collections.

Results for "View in the Roman Campagna"12 records

Institutions answered newest-first by record, interleaved

Jupiter (?) by Girolamo Campagna, The Metropolitan Museum of Art

Jupiter (?)

Girolamo Campagna (d. 1625)

late 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
View of the Acqua Acetosa (recto) by Claude Lorrain, The Cleveland Museum of Art

View of the Acqua Acetosa (recto)

Claude Lorrain (d. 1682)

c. 1645 · Drawing, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Torre dei Schiavi, The Roman Campagna (from Cropsey Album) by Jasper Francis Cropsey, The Metropolitan Museum of Art

Torre dei Schiavi, The Roman Campagna (from Cropsey Album)

Jasper Francis Cropsey (d. 1900)

1853 · Graphite, white gouache, and brown and gray ink washes on dark buff wove paper

Cleared · Public Domain

live
The MetSimilar
View of the Acqua Acetosa (recto); David and Goliath (verso) by Claude Lorrain, The Cleveland Museum of Art

View of the Acqua Acetosa (recto); David and Goliath (verso)

Claude Lorrain (d. 1682)

c. 1645 · Drawing, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Across the Campagna by George Inness, The Metropolitan Museum of Art

Across the Campagna

George Inness (d. 1894)

1872 · Watercolor, gouache, and graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Small Group of Roman Ruins (verso) by an unrecorded maker, The Cleveland Museum of Art

Small Group of Roman Ruins (verso)

Unrecorded maker

c. 1650 · Drawing, pen and brown ink and brush and brown wash with red chalk, heightened with white and orange gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ferry (View of the Tiber in the Campagna)

Jan Both (d. 1652)

17th century · Etching; fourth state

In copyright

live
The MetSimilar
Italian Landscape by Claude Lorrain, The Cleveland Museum of Art

Italian Landscape

Claude Lorrain (d. 1682)

c. 1630 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the Roman Campagna

Pierre Henri de Valenciennes or Circle (d. 1819)

1810 · Oil on paper

In copyright

live
The MetSimilar
David and Goliath (verso) by Claude Lorrain, The Cleveland Museum of Art

David and Goliath (verso)

Claude Lorrain (d. 1682)

c. 1645 · Drawing, black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the Roman Campagna (Colonna?)

Pierre Henri de Valenciennes or Circle (d. 1819)

1810 · Oil on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ruins in the Roman Campagna

André Giroux (d. 1879)

late 1820s · Oil on paper, laid down on cardboard

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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