
Jupiter (?)
Girolamo Campagna (d. 1625)
late 16th century · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
198 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 976 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Jupiter (?)
Girolamo Campagna (d. 1625)
late 16th century · Bronze
Cleared · Public Domain
live
View of the Acqua Acetosa (recto)
Claude Lorrain (d. 1682)
c. 1645 · Drawing, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink
Cleared · CC0
live
Torre dei Schiavi, The Roman Campagna (from Cropsey Album)
Jasper Francis Cropsey (d. 1900)
1853 · Graphite, white gouache, and brown and gray ink washes on dark buff wove paper
Cleared · Public Domain
live
View of the Acqua Acetosa (recto); David and Goliath (verso)
Claude Lorrain (d. 1682)
c. 1645 · Drawing, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink
Cleared · CC0
live
Across the Campagna
George Inness (d. 1894)
1872 · Watercolor, gouache, and graphite on off-white wove paper
Cleared · Public Domain
live
Small Group of Roman Ruins (verso)
Unrecorded maker
c. 1650 · Drawing, pen and brown ink and brush and brown wash with red chalk, heightened with white and orange gouache
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ferry (View of the Tiber in the Campagna)
Jan Both (d. 1652)
17th century · Etching; fourth state
In copyright
live
Italian Landscape
Claude Lorrain (d. 1682)
c. 1630 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the Roman Campagna
Pierre Henri de Valenciennes or Circle (d. 1819)
1810 · Oil on paper
In copyright
live
David and Goliath (verso)
Claude Lorrain (d. 1682)
c. 1645 · Drawing, black chalk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the Roman Campagna (Colonna?)
Pierre Henri de Valenciennes or Circle (d. 1819)
1810 · Oil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ruins in the Roman Campagna
André Giroux (d. 1879)
late 1820s · Oil on paper, laid down on cardboard
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.