Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
289 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 411 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
An Islamic Prophet Appearing in the Courtyard of a Prison in Alexandria
Jan Goeree (d. 1731)
ca. 1706 · Pen and black ink, brush and gray wash, over a sketch in red chalk, incised for transfer; double framing lines in pen and brown ink, probably by the artist
Cleared · Public Domain
live
View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal) (d. 1768)
1735–46 · Etching; first state of two
Cleared · Public Domain
live
View into the Courtyard of an Inn at Colmar
Eduard Gaertner (d. 1877)
1821–77 · Watercolor, over a sketch in graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective view of a palace courtyard with a fountain placed in a rectangular basin and a view into a Corinthian colonnade at left, plate 6, from Scenographiae sive Perspectivae
Hans Vredeman de Vries (d. 1606)
Published 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Romesnil
Louis-Rémy Robert (d. 1882)
1850–55 · Salted paper print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Opposite The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; first (final) state (Harrington); sixth state of seven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; between trial proofs b and c (Harrington); third state of eleven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; second state of three (Harrington); tenth state of eleven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; second state of three (Harrington); tenth state of eleven(Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; first state of three (Harrington); sixth state of eleven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn
Arthur Dove (d. 1946)
1942 · Wax emulsion and aluminum paint on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wind in the Lotus at Yeast Courtyard (Looking West to Dongpu Bridge)
Lois Conner (d. 9999)
2004 · Pigment ink print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.