
View of Florence
Thomas Cole (d. 1848)
1837 · Painting, oil on canvas
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
516 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 194 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of Florence
Thomas Cole (d. 1848)
1837 · Painting, oil on canvas
Cleared · CC0
live
Farmhouse on the Slope of a Hill
Fra Bartolommeo (d. 1517)
c. 1508 · Drawing, pen and brown ink
Cleared · CC0
live
Cutting from a Gradual: Initial I with Departure of Tobias
"Master of Noah's Ark"
c. 1390 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live![Initial G[audeamus omnes] from a Gradual: The Court of Heaven by Don Silvestro dei Gherarducci, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1930.105/1930.105_web.jpg)
Initial G[audeamus omnes] from a Gradual: The Court of Heaven
Don Silvestro dei Gherarducci (d. 1399)
1371–77 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Christ and the Samaritan Woman at the Well
Giovanni della Robbia
c. 1500–1530 · Sculpture, polychromed terracotta
Cleared · CC0
live
Embroidered Tondo from an Altar Frontal: The Coronation of the Virgin
Unrecorded maker
1459 · Embroidery, Embroidery with gold, silver, and silk thread; split, satin, and couching stitches, or nué (shaded gold)
Cleared · CC0
live
David Victorious over Goliath
Giovanni Battista Foggini (d. 1725)
1722 · Sculpture, terracotta
Cleared · CC0
live
Leaf from a Book of Hours: Annunciation, Nativity and Two Prophets
Master of Riccardiana 231
c. 1485 · Manuscript, tempera and gold on parchment
Cleared · CC0
live
Upper Paneling from a Sacristy Armoire
Giuliano da Maiano (d. 1490)
c. 1460–75 · Furniture and woodwork, walnut, inlaid with holly and ebony
Cleared · CC0
live![Initial D[eus in loco] with a Prophet Excised from a Gradual by Lorenzo Monaco, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1949.536/1949.536_web.jpg)
Initial D[eus in loco] with a Prophet Excised from a Gradual
Lorenzo Monaco (d. 1425)
1409–10 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
The Funeral of Saint Stephen
Fra Filippo Lippi (d. 1469)
c. 1460 · Drawing, pen and brown ink with brush and brown wash with traces of stylus over traces of black chalk
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.