Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    384 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "View of Kirtlington Park, Oxfordshire"6 records

Institutions answered newest-first by record, interleaved

Pair of tea caddies and a sugar box in a case by Paul de Lamerie, The Metropolitan Museum of Art

Pair of tea caddies and a sugar box in a case

Paul de Lamerie (d. 1751)

1738/39 · Silver; oak, rosewood with boxwood and ebony inlay, silver mounts

Cleared · Public Domain

live
The MetSimilar
Dining room from Kirtlington Park by John Sanderson, The Metropolitan Museum of Art

Dining room from Kirtlington Park

John Sanderson (d. 1774)

1748 · Wood, plaster, marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Country Seats of the United States of North American, with Some Scenes Connected with Them

William Russell Birch (d. 1834)

1808 · Illustrations: etching, stipple and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kirtlington Park, Oxfordshire: View of the Dining Room

Susan Alice Dashwood (d. 1922)

1876 · Watercolor and gouache (bodycolor) over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Library, Kirtlington Park, Oxfordshire

Susan Alice Dashwood (d. 1922)

1886 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Kirtlington Park, Oxfordshire

Susan Alice Dashwood (d. 1922)

1900 · Watercolor over graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.