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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    415 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    367 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 684 matching records exist across the two collections.

Results for "View of La Crescenza"12 records

Institutions answered newest-first by record, interleaved

View of La Grande Chartreuse in the French Alps / Descriptio Maioris Cartusiæ Montium, et Ædificiorum dependentium by Wenceslaus Hollar, The Metropolitan Museum of Art

View of La Grande Chartreuse in the French Alps / Descriptio Maioris Cartusiæ Montium, et Ædificiorum dependentium

Wenceslaus Hollar (d. 1677)

1649 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
View of La Crescenza by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

View of La Crescenza

Claude Lorrain (Claude Gellée) (d. 1682)

1648–50 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
A View of the Herenstraat in Voorburg, Seen from the Oosteinde by Paulus Constantijn La Fargue, The Metropolitan Museum of Art

A View of the Herenstraat in Voorburg, Seen from the Oosteinde

Paulus Constantijn La Fargue (d. 1782)

1757 · Pen and brown ink, with brush and brown wash, over traces of graphite; framing lines in brown ink

Cleared · Public Domain

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The MetSimilar
Moonlit view of a river with fishermen and a town in the background by Karel la Fargue, The Metropolitan Museum of Art

Moonlit view of a river with fishermen and a town in the background

Karel la Fargue (d. 1793)

mid–late 18th century · Pen and black ink, brush and black and gray wash, over black chalk and red and yellow chalk on blue paper; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
La Ciotat by Edouard Baldus, The Metropolitan Museum of Art

La Ciotat

Edouard Baldus (d. 1889)

ca. 1860 · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar
Autumn Study, View over Hanging Rock, Newport, R.I. by John La Farge, The Metropolitan Museum of Art

Autumn Study, View over Hanging Rock, Newport, R.I.

John La Farge (d. 1910)

1868 · Oil on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vüe De La Nouvelle Yorck (View of New York)

Anonymous, French, 18th century (d. 1800)

1775–76 · Hand-colored etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Valley of the River Neste d'Aure, near Arreau

Janus la Cour (d. 1909)

1865 · Watercolor, white gouache, over graphite

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Venice

Samuel Colman (d. 1920)

ca. 1875 · Pastel and charcoal on toned wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sketch in La Roche

Sir David Young Cameron (d. 1945)

1905 · Etching and drypoint; second state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Collioure

Henri Matisse (d. 1954)

1907 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Birds Eye View of New Orleans, La.

Unrecorded maker

1900s–1930s · Photomechanical print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.