Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    183 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    293 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,070 matching records exist across the two collections.

Results for "View of Mestre, an inn at left and other"12 records

Institutions answered newest-first by record, interleaved

Detail of a cornice at left; an altar at right by Master of 1515, The Metropolitan Museum of Art

Detail of a cornice at left; an altar at right

Master of 1515

ca. 1510–20 · Engraving with dry-point effect

Cleared · Public Domain

live
The MetSimilar
View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)

Canaletto (Giovanni Antonio Canal) (d. 1768)

1735–46 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
View of the Wilderness at Kew by William Marlow, The Metropolitan Museum of Art

View of the Wilderness at Kew

William Marlow (d. 1813)

1763 · Watercolor

Cleared · Public Domain

live
The MetSimilar
A Coach Outside an Inn by Thomas Rowlandson, The Metropolitan Museum of Art

A Coach Outside an Inn

Thomas Rowlandson (d. 1827)

1785–90 · Etching and aquatint

Cleared · Public Domain

live
The MetSimilar
View of the/ Cattskill/ Mountain House/ NY/ JACKSONS WARRANTED by Job & John Jackson, The Metropolitan Museum of Art

View of the/ Cattskill/ Mountain House/ NY/ JACKSONS WARRANTED

Job & John Jackson (d. 1835)

ca. 1831–ca. 1835 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Jet at Harlem River

Fayette Bartholomew Tower (d. 1857)

1843 · Aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of New York, Jersey City, Hoboken and Brooklyn

Charles Parsons (d. 1910)

1858 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eventide -- October: The Village Inn

Benedikt Franz Hess (d. 1870)

1867 · Two-color lithograph, hand-colored with additions of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Inn, Purfleet

Sir Francis Seymour Haden (d. 1910)

1869 · Etching and drypoint; second state of three (Harrington); tenth state of eleven(Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Inn, Purfleet

Sir Francis Seymour Haden (d. 1910)

1869 · Etching and drypoint; first state of three (Harrington); sixth state of eleven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Inn

Arthur Dove (d. 1946)

1942 · Wax emulsion and aluminum paint on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lake Pleasant near Osborn Inn, Speculator, N. Y. from Kodak Souvenir of the Mountains, Adirondack Views (W500)

Standard Supply Company (d. 2005)

ca. 1930–45 · Commercial color photolithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.