Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    248 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    388 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "View of Mount Fuji from Koshigaya, Provi"10 records

Institutions answered newest-first by record, interleaved

Mount Fuji by Yokoi Kinkoku 横井金谷, The Metropolitan Museum of Art

Mount Fuji

Yokoi Kinkoku 横井金谷 (d. 1832)

early 19th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great Tōkaidō by Utagawa Hiroshige, The Metropolitan Museum of Art

Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige (d. 1858)

ca. 1833–34 · Woodblock print

Cleared · Public Domain

live
The MetSimilar
Morning after the Snow at Koishikawa in Edo (Koishikawa yuki no ashita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Morning after the Snow at Koishikawa in Edo (Koishikawa yuki no ashita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Reflection in Lake at Misaka in Kai Province (Kōshū Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei by Katsushika Hokusai, The Metropolitan Museum of Art

Reflection in Lake at Misaka in Kai Province (Kōshū Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Hara, Number 14, from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the Clerical Script Tōkaidō (Reisho Tōkaidō) by Utagawa Hiroshige, The Metropolitan Museum of Art

Hara, Number 14, from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the Clerical Script Tōkaidō (Reisho Tōkaidō)

Utagawa Hiroshige (d. 1858)

1847–52 · Woodblock print

Cleared · Public Domain

live
The MetSimilar
View of Mount Fuji from Koshigaya, Province of Musashi (Musashi, Koshigaya Zai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Utagawa Hiroshige, The Metropolitan Museum of Art

View of Mount Fuji from Koshigaya, Province of Musashi (Musashi, Koshigaya Zai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Utagawa Hiroshige (d. 1858)

4th month, Horse year 1858 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
View of the Descent from a Mountain by Many from Pilgrimage to Mount Fuji (Fuji mōde shoshina gesan no zu) by Utagawa Hiroshige III, The Metropolitan Museum of Art

View of the Descent from a Mountain by Many from Pilgrimage to Mount Fuji (Fuji mōde shoshina gesan no zu)

Utagawa Hiroshige III (d. 1894)

November, 1883 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.