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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "View of Nemi"6 records

Institutions answered newest-first by record, interleaved

Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutra by an unrecorded maker, The Cleveland Museum of Art

Nemi's Omniscience and First Teaching (below) and Nemi in the Realm of Liberation (above), Folio 51 (recto), from a Kalpa-sutra

Unrecorded maker

c. 1475–1500 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
View of Lake Nemi (recto) by an unrecorded maker, The Cleveland Museum of Art

View of Lake Nemi (recto)

Unrecorded maker

c. 1650 · Drawing, pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Nemi Enthroned, Folio 54 (verso), from a Kalpa-sutra by an unrecorded maker, The Cleveland Museum of Art

Nemi Enthroned, Folio 54 (verso), from a Kalpa-sutra

Unrecorded maker

c. 1475–1500 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
View of Lake Nemi (recto) Small Group of Roman Ruins (verso) by an unrecorded maker, The Cleveland Museum of Art

View of Lake Nemi (recto) Small Group of Roman Ruins (verso)

Unrecorded maker

c. 1650 · Drawing, pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Text, Folio 51 (verso), from a Kalpa-sutra by an unrecorded maker, The Cleveland Museum of Art

Text, Folio 51 (verso), from a Kalpa-sutra

Unrecorded maker

c. 1475–1500 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Birth of Nemi, Folio 48 (verso), from a Kalpa-sutra by an unrecorded maker, The Cleveland Museum of Art

Birth of Nemi, Folio 48 (verso), from a Kalpa-sutra

Unrecorded maker

c. 1475–1500 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.