Richmond Palace
Wenceslaus Hollar (d. 1677)
1638 · Etching, only state, a copy of NH 259 made by Hollar himself
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
523 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
418 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 139 matching records exist across the two collections.
Results for "View of Richmond, Yorkshire"12 records
Institutions answered newest-first by record, interleaved
View of Richmond, Yorkshire
George Cuit the Elder (d. 1818)
1788 · Gouache (bodycolor)
Cleared · Public Domain
liveThe MetSimilar
View of the Round Howe near Richmond, Yorkshire
George Cuit the Elder (d. 1818)
1788 · Gouache (bodycolor)
Cleared · Public Domain
liveThe MetSimilar
A View of Lower Rydal Falls, Cumbria
Thomas Fearnley (d. 1842)
1837 · Watercolor, pen and ink, gray and white heightening, on beige paper
Cleared · Public Domain
liveThe MetSimilar
The Wharfe, Yorkshire
John Dillwyn Llewelyn (d. 1882)
1853–56 · Salted paper print
Cleared · Public Domain
liveThe MetSimilar
The Beverley Minster, Yorkshire, England, Perspective View of the West Façade
Charles Wickes (d. 1859)
1850–59 · Pen and black ink
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Hermitage in the Royal Garden at Richmond
Hubert François Gravelot (d. 1773)
1730–37 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Southwest View of St. John's, or the Minster Church, Beverly, Yorkshire
William Tayleure (d. 1800)
March 1, 1817 · Etching and aquatint, printed in brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hornby Castle, Yorkshire
William Radclyffe (d. 1855)
ca. 1822 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Early Morning, Richmond Park
Sir Francis Seymour Haden (d. 1910)
1859 · Etching; early trial (Harrington); first state of three (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Robin Hood's Bay
Sir David Young Cameron (d. 1945)
1907 · Etching and drypoint; first state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bradford: View of a Town
Edward Alexander Wadsworth (d. 1949)
1914 · Woodcut on gray paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.