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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    472 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 32 matching records exist across the two collections.

Results for "View of Ryogoku Bridge in the Eastern Ca"12 records

Institutions answered newest-first by record, interleaved

View of Ryogoku Bridge in the Eastern Capital by Shōtei Hokuju 昇亭北寿, The Metropolitan Museum of Art

View of Ryogoku Bridge in the Eastern Capital

Shōtei Hokuju 昇亭北寿 (d. 1820)

ca. 1810–1820 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The/ Race Bridge/ Philadelphia/ JACKSONS WARRANTED by Job & John Jackson, The Metropolitan Museum of Art

The/ Race Bridge/ Philadelphia/ JACKSONS WARRANTED

Job & John Jackson (d. 1835)

ca. 1831–ca. 1835 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–31 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print

Cleared · Public Domain

live
The MetSimilar
COLUMBIA BRIDGE. / ON THE / SUSQUEHANNA by William Ridgway & Co., The Metropolitan Museum of Art

COLUMBIA BRIDGE. / ON THE / SUSQUEHANNA

William Ridgway & Co. (d. 1854)

ca. 1840–ca. 1854 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Twilight Moon at Ryōgoku Bridge by Utagawa Hiroshige, The Metropolitan Museum of Art

Twilight Moon at Ryōgoku Bridge

Utagawa Hiroshige (d. 1858)

1858 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Panoramic View of Ryōgoku Bridge in the Summer by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

Panoramic View of Ryōgoku Bridge in the Summer

Utagawa (Gountei) Sadahide (d. 1873)

19th century · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Grand Display of Fireworks and Illuminations at the Opening of the Great Suspension Bridge between New York and Brooklyn on the Evening of May 24, 1883. View from New York Looking towards Brooklyn. by Currier & Ives, The Metropolitan Museum of Art

The Grand Display of Fireworks and Illuminations at the Opening of the Great Suspension Bridge between New York and Brooklyn on the Evening of May 24, 1883. View from New York Looking towards Brooklyn.

Currier & Ives (d. 1907)

1883 · Color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Rialto Bridge seen from the traghetto of Ca Bembo in Venice, from "Magnificentiores Selectioresque Urbis Venetiarum Prospectus"

Michele Marieschi (d. 1743)

1741 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Upper Ferry Bridge / over the / River Schuylkill

Joseph Stubbs (d. 1836)

ca. 1822–ca. 1836 · Earthenware, transfer-printed

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Harper's Ferry, Virginia (from the Potomac Side)

Currier & Ives (d. 1907)

1857–60 · Hand-colored lithograph

In copyright

live
The MetSimilar

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