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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    634 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    337 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 206 matching records exist across the two collections.

Results for "View of Sinta near the Colares river"11 records

Institutions answered newest-first by record, interleaved

View Near Albury by Wenceslaus Hollar, The Metropolitan Museum of Art

View Near Albury

Wenceslaus Hollar (d. 1677)

1645 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
View Near Albury by Wenceslaus Hollar, The Metropolitan Museum of Art

View Near Albury

Wenceslaus Hollar (d. 1677)

1645 · Etching, first state of three

Cleared · Public Domain

live
The MetSimilar
View of the Rhone river near Saint-Genis-Laval, south of Lyons by Michiel van Overbeek, The Metropolitan Museum of Art

View of the Rhone river near Saint-Genis-Laval, south of Lyons

Michiel van Overbeek (d. 1709)

after 1667 · Pen and brown ink, brown wash, on brown paper; framing line in pen and brown ink, possibly by the artist

Cleared · Public Domain

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The MetSimilar
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio)

John Hill (d. 1850)

1822 · Aquatint printed in color with hand-coloring; first state of three (Koke)

Cleared · Public Domain

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The MetSimilar
View Near Jessup's Landing (No. 3 of The Hudson River Portfolio) by John Rubens Smith, The Metropolitan Museum of Art

View Near Jessup's Landing (No. 3 of The Hudson River Portfolio)

John Rubens Smith (d. 1849)

1821–22 · Aquatint printed in color with hand-coloring; second state of two (Koke)

Cleared · Public Domain

live
The MetSimilar
View Near Sandy Hill (No. 7 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Sandy Hill (No. 7 of The Hudson River Portfolio)

John Hill (d. 1850)

1822–23 · Aquatint printed in color with hand-coloring; first state of two (Koke)

Cleared · Public Domain

live
The MetSimilar
View Near Fishkill (No. 17 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Fishkill (No. 17 of The Hudson River Portfolio)

John Hill (d. 1850)

1823–24 · Aquatint printed in color with hand-coloring; first state of two or three (Koke)

Cleared · Public Domain

live
The MetSimilar
View of a bridge over the Colares river near Sintra by Clementine de Brelaz, The Metropolitan Museum of Art

View of a bridge over the Colares river near Sintra

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
View of Sinta near the Colares river by Clementine de Brelaz, The Metropolitan Museum of Art

View of Sinta near the Colares river

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View Near Fishkill (No. 18 of The Hudson River Portfolio)

John Hill (d. 1850)

1823–24 · Etching and aquatint, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Valley of the River Neste d'Aure, near Arreau

Janus la Cour (d. 1909)

1865 · Watercolor, white gouache, over graphite

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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