
View of South Street, from Maiden Lane, New York City
William James Bennett (d. 1844)
ca. 1827 · Watercolor on off-white wove paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
338 ms. The Metropolitan Museum of Art, Collection API (Open Access)
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 55 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of South Street, from Maiden Lane, New York City
William James Bennett (d. 1844)
ca. 1827 · Watercolor on off-white wove paper
Cleared · Public Domain
live
South St. from Maiden Lane
William James Bennett (d. 1844)
1834 · Aquatint
Cleared · Public Domain
live
South Street from Maiden Lane, New York, in 1828
William James Bennett (d. 1844)
1834 · Aquatint
Cleared · Public Domain
live
VIEW/ FROM/ COENTIES-SLIP
Thomas Dimmock & Co. (d. 1859)
ca. 1828–ca. 1859 · Earthenware, transfer-printed
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maiden Lane from No. 1 to No. 65
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maiden Lane from No. 2 to No. 62
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maiden Lane, New York, No. 1- No. 169
Anonymous, American, 19th century (d. 1900)
1840–54 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the City of New York from Brooklyn Heights, in 1798 by Monsieur C. B. de Julien de St. Memin with a Pantograph Invented by Himself
Charles Balthazar Julien Févret de Saint-Mémin (d. 1852)
ca. 1850 · Engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fly Market, from the Corner of Front Street and Maiden Lane in 1816, from Valentine's Manual
George Hayward (d. 1872)
1857 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
182 - 166 Broadway, Between John Street and Maiden Lane, from Tallis's New York Street Views
Alfred Tallis (d. 1863)
1863 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Broadway Looking North from Maiden Lane
James J. Fogerty (d. 1900)
ca. 1885–87 · Photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Water Street, Financial District, New York
Thomas Struth (d. 9999)
1978 · Gelatin silver print
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.