
Saint Antoninus Kneeling before the Crucifix in Orsanmichele, Florence
Bernardino Poccetti (d. 1612)
1600–1605 · Charcoal and brush and pale brown wash on beige paper; squared in red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
279 ms. The Metropolitan Museum of Art, Collection API (Open Access)
277 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 80 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint Antoninus Kneeling before the Crucifix in Orsanmichele, Florence
Bernardino Poccetti (d. 1612)
1600–1605 · Charcoal and brush and pale brown wash on beige paper; squared in red chalk
Cleared · Public Domain
live
Capriccio with St. Paul's and Old London Bridge
Antonio Joli (d. 1777)
ca. 1745 · Oil on canvas
Cleared · Public Domain
live
View of Messina Harbor
Louis François Cassas (d. 1827)
1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink
Cleared · Public Domain
live
View on the coast at Deal
Charles Bentley (d. 1854)
ca. 1846 · Watercolor with touches of gouache (bodycolor) over graphite
Cleared · Public Domain
live
Cloître Saint-Amand, Rouen
Edmond Bacot (d. 1875)
1852–53 · Salted paper print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
WINTER VIEW OF PITTSFIELD MASS
James and Ralph Clews (d. 1836)
ca. 1827–30 · Earthenware, transfer-printed
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the City of New York from Brooklyn Heights, in 1798 by Monsieur C. B. de Julien de St. Memin with a Pantograph Invented by Himself
Charles Balthazar Julien Févret de Saint-Mémin (d. 1852)
ca. 1850 · Engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Houses, Greenock
Sir David Young Cameron (d. 1945)
1890 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint-Tropez (The Port of St. Tropez), from "L'Estampe Originale"
Paul Signac (d. 1935)
1894 · Lithograph in six colors
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chapel of Saint Joseph, Saint-Tropez
Henri Matisse (d. 1954)
1904 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Notre-Dame de la Garde (La Bonne Mère), Marseille
Paul Signac (d. 1935)
1905–6 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of The Old Port, Saint-Tropez
Pierre Bonnard (d. 1947)
1911 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.