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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    356 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 68 matching records exist across the two collections.

Results for "View of Transept, Looking South"12 records

Institutions answered newest-first by record, interleaved

A view of Lambeth Palace from the river at Whitehall Stairs by Wenceslaus Hollar, The Metropolitan Museum of Art

A view of Lambeth Palace from the river at Whitehall Stairs

Wenceslaus Hollar (d. 1677)

1643–44 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
South West View of the City of New York in North America by Pierre Charles Canot, The Metropolitan Museum of Art

South West View of the City of New York in North America

Pierre Charles Canot (d. 1777)

late 18th century · Etching

Cleared · Public Domain

live
The MetSimilar
View of Transept, Looking South by Hugh Owen, The Metropolitan Museum of Art

View of Transept, Looking South

Hugh Owen (d. 1897)

1851 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Salisbury Cathedral - The Nave, from the South Transept by Roger Fenton, The Metropolitan Museum of Art

Salisbury Cathedral - The Nave, from the South Transept

Roger Fenton (d. 1819)

1858 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Alhambra and Court of Lions; View in South Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art

[Alhambra and Court of Lions; View in South Transept]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Mammoth Tree; General View of Nave, Looking South; View from North Gallery; Classical Fountain] by Philip Henry Delamotte, The Metropolitan Museum of Art

[Mammoth Tree; General View of Nave, Looking South; View from North Gallery; Classical Fountain]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[View From Music Court to South Transept; View in Tropical Department; View of the Egyptian Court; View of North Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art

[View From Music Court to South Transept; View in Tropical Department; View of the Egyptian Court; View of North Transept]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from South Melrose, Looking South: Mott Haven, Harlem, Mount Morris, and Yorkville in the Distance

John L. Magee (d. 1867)

ca. 1840 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Transept from the South Gallery, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Port of New York, Bird's Eye View from the Battery Looking South

Parsons & Atwater (d. 1900)

1872 · Lithograph, printed in color, with some hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Port of New York, Bird's Eye View from the Battery, Looking South

Parsons & Atwater (d. 1900)

1872 · Colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Port of New York: Bird's Eye View from the Battery, Looking South

Lyman Wetmore Atwater (d. 1891)

1878 · Lithograph printed in color

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.