Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
243 ms. The Metropolitan Museum of Art, Collection API (Open Access)
359 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 62 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1503–40 · Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso)
Cleared · Public Domain
live
View of Venice: The Dome of Santa Maria della Salute Seen from the Rear of the Da Mula Palace, looking Eastward
Frank Dillon (d. 1909)
1853 · Drawing, watercolor
Cleared · CC0
live
View of the church of Santa Maria della Salute in Venice, a regatta taking place on the canal
Alessandro della Via (d. 1724)
ca. 1700–1720 · Etching
Cleared · Public Domain
live
Campo Santa Maria Zobenigo, Venice
Canaletto (Giovanni Antonio Canal) (d. 1768)
1730s · Oil on canvas
Cleared · Public Domain
live
A View of the Vestibule of Santa Maria Maggiore at Rome
Georges François Blondel (d. 1792)
1765–67 · Mezzotint; published state
Cleared · Public Domain
live
Santa Maria della Salute
Francesco Guardi (d. 1793)
mid- to late 1760s · Oil on canvas
Cleared · Public Domain
live
Venice: The Dogana and Santa Maria della Salute
Francesco Guardi (d. 1793)
1793 · Oil on wood
Cleared · Public Domain
live
Interior View of the Basilica of Santa Maria Maggiore, Rome
Anton Hallmann (d. 1845)
1833 · Watercolor, pen and ink over graphite
Cleared · Public Domain
live
Santa Maria della Salute, Sunset
William Stanley Haseltine (d. 1900)
1870–85 · Oil on canvas
Cleared · Public Domain
live
Souvenir spoon with the view of Santa Maria del Fiore
Unrecorded maker
late 19th century · Silver-gilt and enamel
Cleared · Public Domain
live
Grand Canal, Venice
Anonymous, 19th century (d. 1900)
second half 19th century · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Tivoli from Santa Maria del Giglio
Léon Fleury (d. 1858)
1827 or later · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.