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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    431 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,594 matching records exist across the two collections.

Results for "View of a Natural Port"12 records

Institutions answered newest-first by record, interleaved

Capriccio View of a Mediterranean Port by Bonaventura Peeters I, The Metropolitan Museum of Art

Capriccio View of a Mediterranean Port

Bonaventura Peeters I (d. 1652)

17th century · Graphite, pen and brown ink, brush and gray ink

Cleared · Public Domain

live
The MetSimilar
Rue Damiette, Rouen by Camille Pissarro, The Cleveland Museum of Art

Rue Damiette, Rouen

Camille Pissarro (d. 1903)

c. 1884 · Drawing, black chalk and watercolor on wove paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Entrance to a Dutch Port by Willem van de Velde II, The Metropolitan Museum of Art

Entrance to a Dutch Port

Willem van de Velde II (d. 1707)

ca. 1665 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Storage Jar by an unrecorded maker, The Cleveland Museum of Art

Storage Jar

Unrecorded maker

1400s · Ceramic, Stoneware with natural ash glaze (Tamba ware)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
View of a Natural Port by Antoine Benoist, The Metropolitan Museum of Art

View of a Natural Port

Antoine Benoist (d. 1770)

1736–70 · Engraving

Cleared · Public Domain

live
The MetSimilar
VIEW FROM / PORT PUTNAM. / HUDSON. RIVER. by William Ridgway & Co., The Metropolitan Museum of Art

VIEW FROM / PORT PUTNAM. / HUDSON. RIVER.

William Ridgway & Co. (d. 1854)

ca. 1840–ca. 1854 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Port of New York, Bird's Eye View from the Battery, Looking South

Parsons & Atwater (d. 1900)

1872 · Colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Port of New York: Bird's Eye View from the Battery, Looking South

Lyman Wetmore Atwater (d. 1891)

1878 · Lithograph printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Any Port in a Storm

Thomas B. Worth (d. 1917)

1884 · Lithograph, hand-colored with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[View from a Port of a Pond and Hillside, Japan]

Adolf de Meyer (d. 1946)

1900 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of The Old Port, Saint-Tropez

Pierre Bonnard (d. 1947)

1911 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Port of Ghent

Nikolai Kossikoff (d. 1975)

ca. 1935 · Gelatin silver print with applied media

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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