
Female figure
Ixtlán del Río artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
879 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 35 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Female figure
Ixtlán del Río artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
live
Male figure
Ixtlán del Río artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
live
Battle of Horsemen and Foot Soldiers
Guglielmo della Porta (d. 1577)
mid-16th century · Pen and dark and light brown ink.
Cleared · Public Domain
live
The Antechamber of the Sala del Maggior Consiglio
Francesco Guardi (d. 1793)
ca. 1765–68 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Plan of a Tomb Outside the Porta S. Sebastiano on the Appian Way within the Village of Santa Maria Nuova..., tome 2, tavola 6 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan of a tomb outside of Porta S. Sebastiano on the ancient Appian Way in the Vigna Buonamici..., tome 3, tavola 9 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a Tomb outside the Porta del Popolo on the Ancient Via Cassia, five miles from Rome, commonly called the Tomb of Nero, tome 3, tavola 14 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Remains of Several Tomb Chambers on the Ancient Appian Way outside Porta San Sebastiano, tome 2, tavola 47 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Remains of the Mausoleum of St. Helen, mother of the Emperor Constantine, on the Via Labicana about a mile and a half outside the Porta Maggiore, tome 3, tavola 18 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Tomb Believed to be that of the Scipios outside Porta San Sebastiano, tome 2, tavola 28 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tomb of Washington
Robertson, Seibert & Shearman (d. 1865)
1858 · Colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Porta del Molo, Genoa, No. 2
Sir David Young Cameron (d. 1945)
1896 · Etching; second state of two
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.