
Head of a solar deity
Maya artist(s)
600–900 CE · Volcanic tuff, mortar, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
237 ms. The Metropolitan Museum of Art, Collection API (Open Access)
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 893 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Head of a solar deity
Maya artist(s)
600–900 CE · Volcanic tuff, mortar, paint
Cleared · Public Domain
live
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci (d. 1519)
1510–13 · Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
Cleared · Public Domain
live
Palatium Maius Ro, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving [slightly moved during printing]
Cleared · Public Domain
live
View of Jerusalem with the Temple of Solomon
Philippe de Champaigne (d. 1674)
17th century · Red chalk on two attached sheets of off-white laid paper
Cleared · Public Domain
live![View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania) by Giovanni Battista Piranesi, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP828237.jpg)
View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania)
Giovanni Battista Piranesi (d. 1778)
ca. 1748 · Etching
Cleared · Public Domain
live
View of a large structure, remains of the Tomb of the Metelli on the Appian Way about five miles from Porta S. Sebastiano, in the village of S. Maria Nuova..., tome 3, tavola 15 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
Cleared · Public Domain
live
View of Messina Harbor
Louis François Cassas (d. 1827)
1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of Cooke's Tomb in St. Paul's Churchyard, New York
John Rubens Smith (d. 1849)
1821 · Aquatint with some engraving on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
WINTER VIEW OF PITTSFIELD MASS
James and Ralph Clews (d. 1836)
ca. 1827–30 · Earthenware, transfer-printed
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of New York, Jersey City, Hoboken and Brooklyn
Charles Parsons (d. 1910)
1858 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proposal for a Museum of the Early West, Los Alamos, NM
Jack Stewart (d. 2005)
ca. 1950–70 · Watercolor over partial graphite underdrawing, mounted on board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.