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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    237 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 893 matching records exist across the two collections.

Results for "View of a large structure, remains of th"12 records

Institutions answered newest-first by record, interleaved

Head of a solar deity by Maya artist(s), The Metropolitan Museum of Art

Head of a solar deity

Maya artist(s)

600–900 CE · Volcanic tuff, mortar, paint

Cleared · Public Domain

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The MetSimilar
The Head of the Virgin in Three-Quarter View Facing Right by Leonardo da Vinci, The Metropolitan Museum of Art

The Head of the Virgin in Three-Quarter View Facing Right

Leonardo da Vinci (d. 1519)

1510–13 · Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)

Cleared · Public Domain

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The MetSimilar
Palatium Maius Ro, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Palatium Maius Ro, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving [slightly moved during printing]

Cleared · Public Domain

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The MetSimilar
View of Jerusalem with the Temple of Solomon by Philippe de Champaigne, The Metropolitan Museum of Art

View of Jerusalem with the Temple of Solomon

Philippe de Champaigne (d. 1674)

17th century · Red chalk on two attached sheets of off-white laid paper

Cleared · Public Domain

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The MetSimilar
View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania)

Giovanni Battista Piranesi (d. 1778)

ca. 1748 · Etching

Cleared · Public Domain

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The MetSimilar
View of a large structure, remains of the Tomb of the Metelli on the Appian Way about five miles from Porta S. Sebastiano, in the village of S. Maria Nuova..., tome 3, tavola 15 from "Le Antichità Romane" (Roman Antiquities) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of a large structure, remains of the Tomb of the Metelli on the Appian Way about five miles from Porta S. Sebastiano, in the village of S. Maria Nuova..., tome 3, tavola 15 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

Cleared · Public Domain

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The MetSimilar
View of Messina Harbor by Louis François Cassas, The Metropolitan Museum of Art

View of Messina Harbor

Louis François Cassas (d. 1827)

1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of Cooke's Tomb in St. Paul's Churchyard, New York

John Rubens Smith (d. 1849)

1821 · Aquatint with some engraving on off-white wove paper

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

WINTER VIEW OF PITTSFIELD MASS

James and Ralph Clews (d. 1836)

ca. 1827–30 · Earthenware, transfer-printed

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of New York, Jersey City, Hoboken and Brooklyn

Charles Parsons (d. 1910)

1858 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Proposal for a Museum of the Early West, Los Alamos, NM

Jack Stewart (d. 2005)

ca. 1950–70 · Watercolor over partial graphite underdrawing, mounted on board

In copyright

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The MetSimilar

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