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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    175 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    673 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 102 matching records exist across the two collections.

Results for "View of a vaulted arcade with Corinthian"12 records

Institutions answered newest-first by record, interleaved

Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod] by Hans Vredeman de Vries, The Metropolitan Museum of Art

Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod]

Hans Vredeman de Vries (d. 1606)

ca. 1594–96 · Pen and brown ink with a gray wash over traces of black chalk, stylus and compass marks

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a canal with vaulted bridge and a grand staircase rising from the water in the right foreground, from Small Architectural Perspective Views

Hans Vredeman de Vries (d. 1606)

1562 · Etching; first state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a vaulted arcade with Corinthian columns and male terms flanking the entrance, from Small Architectural Perspective Views

Hans Vredeman de Vries (d. 1606)

1562 · Etching; first state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a vaulted entrance hall to a house with winding stairs on far right, from Small Architectural Perspective Views

Hans Vredeman de Vries (d. 1606)

1562 · Etching; first state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Perspective view of a church with a barrel-vault with Corinthian columns and Apollo and Melpomene in niches at left and right, plate 15, from Scenographiae sive Perspectivae

Hans Vredeman de Vries (d. 1606)

Published 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Perspective view of a palace courtyard with a fountain placed in a rectangular basin and a view into a Corinthian colonnade at left, plate 6, from Scenographiae sive Perspectivae

Hans Vredeman de Vries (d. 1606)

Published 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a canal with vaulted bridge, with a grand staircase rising from the water in the right foreground, plate 27, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a hall on vaulted basement standing in water with a street facade at right, plate 26, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a vaulted arcade with Corinthian columns and male terms flanking the entrance, plate 21, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a vaulted entrance hall to a house with winding stairs on far right, plate 24, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with Vestibule Decorated with Corinthian Columns, from Nouveaux Liure de Pintures de Salles et d'Escalliers, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Hall Way with Corinthian Pillars

Frank M. Zimmerman (d. 1950)

ca. 1900 · Reddish-brown crayon, heightened with white and combined with yellow and white gouache

In copyright

live
The MetSimilar

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