Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    448 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    341 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 627 matching records exist across the two collections.

Results for "View of ruins showing the corner of a bu"12 records

Institutions answered newest-first by record, interleaved

View of ruins showing the corner of a building with two arched windows, in a landscape with a stream in the foreground, from a series of four plates showing ruins of a single building by Karel Dujardin, The Metropolitan Museum of Art

View of ruins showing the corner of a building with two arched windows, in a landscape with a stream in the foreground, from a series of four plates showing ruins of a single building

Karel Dujardin (d. 1678)

1658 · Etching

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Aedes Concordiae (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Aedes Concordiae (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and brown wash, red chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Aerarium (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Aerarium (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, pen and black and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Domitian (above) and View the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Domitian (above) and View the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and gray wash over red and black chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Gallienus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Gallienus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, pen and black and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and gray wash, red chalk; incised?

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Templum Isis (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Templum Isis (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and gray wash, red chalk and traces of black chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Templum Pacis (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Templum Pacis (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and gray wash over red and black chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Thermae Agrippae (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Thermae Agrippae (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, brush and gray wash, pen and brown ink; upper image squared in black chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Thermae of Nero (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Thermae of Nero (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and gray wash, over red chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Thermae of Novitian (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Thermae of Novitian (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and brown wash, red chalk, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Winter View of the Courtyard of a Medieval Castle in Ruins by Julius von Leypold, The Metropolitan Museum of Art

Winter View of the Courtyard of a Medieval Castle in Ruins

Julius von Leypold (d. 1874)

1832 · Graphite, brush and gray ink, watercolor

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.