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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    546 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 468 matching records exist across the two collections.

Results for "View of the Arch built in honor of Augus"12 records

Institutions answered newest-first by record, interleaved

The Arch in the Entryway of the Left Portal (Die Porten des Lobs); and the Outer Left Column of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Hans Springinklee, The Metropolitan Museum of Art

The Arch in the Entryway of the Left Portal (Die Porten des Lobs); and the Outer Left Column of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18

Hans Springinklee (d. 1530)

1515 · Woodcut and letterpress

Cleared · Public Domain

live
The MetSimilar
The Arch in the Entryway of the Right Portal (Die Porten des Adels); and the Outer Right Column of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Albrecht Dürer, The Metropolitan Museum of Art

The Arch in the Entryway of the Right Portal (Die Porten des Adels); and the Outer Right Column of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18

Albrecht Dürer (d. 1528)

1515 · Woodcut and letterpress

Cleared · Public Domain

live
The MetSimilar
Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrénées by François Chauveau, The Metropolitan Museum of Art

Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrénées

François Chauveau (d. 1676)

ca. 1664–65 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Colosseum by Richard Wilson, The Metropolitan Museum of Art

View of the Colosseum

Richard Wilson (d. 1782)

1751–56 · Black chalk heightened with white chalk on gray paper; sheet laid down on pink paper mount with double border in brown ink

Cleared · Public Domain

live
The MetSimilar
Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and brown wash, traces of leadpoint; scale in pen and brown ink at bottom of the drawing

Cleared · Public Domain

live
The MetSimilar
View of the Arch of Janus, with shepherds and goats in the foreground by François Morel, The Metropolitan Museum of Art

View of the Arch of Janus, with shepherds and goats in the foreground

François Morel (d. 1830)

1795–1800 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Colosseum and the Arch of Constantine from the Palatine by Charles Rémond, The Metropolitan Museum of Art

View of the Colosseum and the Arch of Constantine from the Palatine

Charles Rémond (d. 1875)

ca. 1822–24 · Oil on paper, laid down on canvas

Cleared · Public Domain

live
The MetSimilar
[Arch of the Argentarii, or, Goldsmith's Gate, Rome] by Unknown, The Metropolitan Museum of Art

[Arch of the Argentarii, or, Goldsmith's Gate, Rome]

Unknown

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ancien Arc de Triomphe bâti par Auguste à Rimini, plate 60 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Dominico Montagu

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Arch of Beneventum in the Kingdom of Naples, from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch of Constantine Seen from the Colosseum

Lancelot Théodore Turpin de Crissé (d. 1859)

1818–38 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch

Sir David Young Cameron (d. 1945)

1892 · Etching; only state

In copyright

live
The MetSimilar

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