
View of the Forum Romanum with the Arch of Septimius Severus from the East
Israel Silvestre (d. 1691)
mid-17th–late 17th century · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
391 ms. The Metropolitan Museum of Art, Collection API (Open Access)
326 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 85 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of the Forum Romanum with the Arch of Septimius Severus from the East
Israel Silvestre (d. 1691)
mid-17th–late 17th century · Etching
Cleared · Public Domain
live
Plan of ancient Rome with a view of the Pantheon lower left and a triumphal arch lower right
Carlo Nolli (d. 1775)
1748 · Etching, sixteen separate sheets joined and backed on linen
Cleared · Public Domain
live
A Shepherd under a Ruined Arch with the Farnese Hercules
Johannes Antiquus (d. 1750)
1726–50 · Black chalk, pen and gray and some brown ink, with gray wash; framing lines in black ink
Cleared · Public Domain
live
Architectural Capriccio with a Monumental Arch
Jean Nicolas Servandoni (d. 1766)
18th century · Gouache with touches of gum arabic
Cleared · Public Domain
live
View of the so-called Temple of Concord with the Temple of Saturn, on the right the Arch of Septimius Severus
Giovanni Battista Piranesi (d. 1778)
1760–78 · Etching
Cleared · Public Domain
live
Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and brown wash, traces of leadpoint; scale in pen and brown ink at bottom of the drawing
Cleared · Public Domain
live
View of the Arch of Janus, with shepherds and goats in the foreground
François Morel (d. 1830)
1795–1800 · Etching
Cleared · Public Domain
live
View of the Colosseum and the Arch of Constantine from the Palatine
Charles Rémond (d. 1875)
ca. 1822–24 · Oil on paper, laid down on canvas
Cleared · Public Domain
live
Landscape with Shepherd
Robert S. Duncanson (d. 1872)
1852 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arc de Janus, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New Treasury, Whitehall
Thomas Hosmer Shepherd (d. 1864)
February 23, 1828 · Steel engraving, with later hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch
Sir David Young Cameron (d. 1945)
1892 · Etching; only state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.