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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    163 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 1,114 matching records exist across the two collections.

Results for "View of the Arch of Titus, which was ere"12 records

Institutions answered newest-first by record, interleaved

The Arch of Titus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

The Arch of Titus, from "Speculum Romanae Magnificentiae"

Anonymous

ca. 1540–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
Arch of Titus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Arch of Titus, from "Speculum Romanae Magnificentiae"

Anonymous

1558 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and gray wash, red chalk; incised?

Cleared · Public Domain

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The MetSimilar
View of the Colosseum by Richard Wilson, The Metropolitan Museum of Art

View of the Colosseum

Richard Wilson (d. 1782)

1751–56 · Black chalk heightened with white chalk on gray paper; sheet laid down on pink paper mount with double border in brown ink

Cleared · Public Domain

live
The MetSimilar
View of the Colosseum and the Arch of Constantine from the Palatine by Charles Rémond, The Metropolitan Museum of Art

View of the Colosseum and the Arch of Constantine from the Palatine

Charles Rémond (d. 1875)

ca. 1822–24 · Oil on paper, laid down on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Arch of Titus, tome 1, tavola 34, figure 1 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arc de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragmens d'aprés l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Arch of Titus (with Villa Farnese to the left), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Arch of Titus, which was erected for this Emperor, after his death, commemorating the destruction of Jerusalem, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of five (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch of Titus and the Forum, Rome

French Painter

ca. 1824–35 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch

Sir David Young Cameron (d. 1945)

1892 · Etching; only state

In copyright

live
The MetSimilar

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