
The Arch of Titus, from "Speculum Romanae Magnificentiae"
Anonymous
ca. 1540–60 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
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Where this page got its records
163 ms. The Metropolitan Museum of Art, Collection API (Open Access)
381 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,114 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Arch of Titus, from "Speculum Romanae Magnificentiae"
Anonymous
ca. 1540–60 · Engraving
Cleared · Public Domain
live
Arch of Titus, from "Speculum Romanae Magnificentiae"
Anonymous
1558 · Engraving and etching
Cleared · Public Domain
live
A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Pen and black and brown ink, brush and gray wash, red chalk; incised?
Cleared · Public Domain
live
View of the Colosseum
Richard Wilson (d. 1782)
1751–56 · Black chalk heightened with white chalk on gray paper; sheet laid down on pink paper mount with double border in brown ink
Cleared · Public Domain
live
View of the Colosseum and the Arch of Constantine from the Palatine
Charles Rémond (d. 1875)
ca. 1822–24 · Oil on paper, laid down on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Arch of Titus, tome 1, tavola 34, figure 1 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arc de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragmens d'aprés l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Arch of Titus (with Villa Farnese to the left), from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Arch of Titus, which was erected for this Emperor, after his death, commemorating the destruction of Jerusalem, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of five (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch of Titus and the Forum, Rome
French Painter
ca. 1824–35 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch
Sir David Young Cameron (d. 1945)
1892 · Etching; only state
In copyright
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