
Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano'
Gian Lorenzo Bernini (d. 1680)
1653–91 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
911 ms. The Metropolitan Museum of Art, Collection API (Open Access)
396 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,783 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano'
Gian Lorenzo Bernini (d. 1680)
1653–91 · Engraving
Cleared · Public Domain
live
View of the Arch of Constantine
Jan Goeree (d. 1731)
before 1704 · Red chalk, brush and gray ink and wash, pen and black ink; on two sheets of paper, joined at center
Cleared · Public Domain
live
The Blue Egyptian Water Lily, from "The Temple of Flora, or Garden of Nature"
Joseph Constantine Stadler (d. 1822)
September 11, 1804 · Aquatint and stipple engraving printed in color with hand coloring
Cleared · Public Domain
live![[Basilica of Constantine, Rome] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP115245.jpg)
[Basilica of Constantine, Rome]
Unknown
1850s · Salted paper print from paper negative
Cleared · Public Domain
live![[View of Chowringhee from Government House, Calcutta] by John Constantine Stanley, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP146088.jpg)
[View of Chowringhee from Government House, Calcutta]
John Constantine Stanley (d. 1878)
1858–61 · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Westminster Bridge
Joseph Constantine Stadler (d. 1822)
ca. 1790 · Soft-ground etching and aquatint, printed in gray and brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Charter House, from the Square
Joseph Constantine Stadler (d. 1822)
July 1, 1816 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Basilica of Constantine, Rome
Johann Adam Klein (d. 1875)
1821 · Oil on paper, laid down on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Basilica of Constantine from the Palatine, Rome
Charles Rémond (d. 1875)
ca. 1822–25 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Basilica of Constantine, Rome
Gilles-François-Joseph Closson (d. 1853)
ca. 1825–29 · Oil and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Basilica of Constantine, Rome
Michael Neher (d. 1876)
1830 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Basilica of Constantine, Rome]
Bisson Frères (d. 1863)
ca. 1860 · Albumen silver print from glass negative
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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