Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    911 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    396 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,783 matching records exist across the two collections.

Results for "View of the Basilica of Constantine from"12 records

Institutions answered newest-first by record, interleaved

Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano' by Gian Lorenzo Bernini, The Metropolitan Museum of Art

Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano'

Gian Lorenzo Bernini (d. 1680)

1653–91 · Engraving

Cleared · Public Domain

live
The MetSimilar
View of the Arch of Constantine by Jan Goeree, The Metropolitan Museum of Art

View of the Arch of Constantine

Jan Goeree (d. 1731)

before 1704 · Red chalk, brush and gray ink and wash, pen and black ink; on two sheets of paper, joined at center

Cleared · Public Domain

live
The MetSimilar
The Blue Egyptian Water Lily, from "The Temple of Flora, or Garden of Nature" by Joseph Constantine Stadler, The Metropolitan Museum of Art

The Blue Egyptian Water Lily, from "The Temple of Flora, or Garden of Nature"

Joseph Constantine Stadler (d. 1822)

September 11, 1804 · Aquatint and stipple engraving printed in color with hand coloring

Cleared · Public Domain

live
The MetSimilar
[Basilica of Constantine, Rome] by Unknown, The Metropolitan Museum of Art

[Basilica of Constantine, Rome]

Unknown

1850s · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
[View of Chowringhee from Government House, Calcutta] by John Constantine Stanley, The Metropolitan Museum of Art

[View of Chowringhee from Government House, Calcutta]

John Constantine Stanley (d. 1878)

1858–61 · Albumen silver print

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Westminster Bridge

Joseph Constantine Stadler (d. 1822)

ca. 1790 · Soft-ground etching and aquatint, printed in gray and brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Charter House, from the Square

Joseph Constantine Stadler (d. 1822)

July 1, 1816 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Basilica of Constantine, Rome

Johann Adam Klein (d. 1875)

1821 · Oil on paper, laid down on cardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Basilica of Constantine from the Palatine, Rome

Charles Rémond (d. 1875)

ca. 1822–25 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Basilica of Constantine, Rome

Gilles-François-Joseph Closson (d. 1853)

ca. 1825–29 · Oil and pencil on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Basilica of Constantine, Rome

Michael Neher (d. 1876)

1830 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Basilica of Constantine, Rome]

Bisson Frères (d. 1863)

ca. 1860 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.