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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    523 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    598 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 627 matching records exist across the two collections.

Results for "View of the Caelian Hill, Rome, with the"12 records

Institutions answered newest-first by record, interleaved

View of the "Palazzo Maggiore" on the Palatine Hill, Rome by Jan de Bisschop, The Metropolitan Museum of Art

View of the "Palazzo Maggiore" on the Palatine Hill, Rome

Jan de Bisschop (d. 1671)

mid 17th century · Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
View of the Caelian Hill, Rome, with the church of Santi Giovanni e Paolo, seen from the Aventine, Rome by Joseph Vernet, The Metropolitan Museum of Art

View of the Caelian Hill, Rome, with the church of Santi Giovanni e Paolo, seen from the Aventine, Rome

Joseph Vernet (d. 1789)

ca. 1750 · Black chalk, pen and black ink, brush and brown and gray wash

Cleared · Public Domain

live
The MetSimilar
View on the Quirinal Hill, Rome by Simon Denis, The Metropolitan Museum of Art

View on the Quirinal Hill, Rome

Simon Denis (d. 1813)

1800 · Oil on paper, laid down on canvas

Cleared · Public Domain

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The MetSimilar
View Near Fort Miller (No. 10 (later changed to No. 9) of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Fort Miller (No. 10 (later changed to No. 9) of The Hudson River Portfolio)

John Hill (d. 1850)

1822 · Aquatint printed in color with hand-coloring; first state of two (Koke)

Cleared · Public Domain

live
The MetSimilar
View Near Fort Montgomery (No. 22 (later changed to No. 18) of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Fort Montgomery (No. 22 (later changed to No. 18) of The Hudson River Portfolio)

John Hill (d. 1850)

1822 · Aquatint printed in color with hand-coloring; first state of three (Koke)

Cleared · Public Domain

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The MetSimilar
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio)

John Hill (d. 1850)

1822 · Aquatint printed in color with hand-coloring; first state of three (Koke)

Cleared · Public Domain

live
The MetSimilar
View Near Sandy Hill (No. 7 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Sandy Hill (No. 7 of The Hudson River Portfolio)

John Hill (d. 1850)

1822–23 · Aquatint printed in color with hand-coloring; first state of two (Koke)

Cleared · Public Domain

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The MetSimilar
View Near Fishkill (No. 17 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

View Near Fishkill (No. 17 of The Hudson River Portfolio)

John Hill (d. 1850)

1823–24 · Aquatint printed in color with hand-coloring; first state of two or three (Koke)

Cleared · Public Domain

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The MetSimilar
View of the Thames with Figures in Foreground by David Octavius Hill, The Metropolitan Museum of Art

View of the Thames with Figures in Foreground

David Octavius Hill (d. 1870)

1820–70 · Pen and black ink, brush and wash, over graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of ruins on the Palatine Hill, Rome

Giovanni Ambrogio Brambilla (d. 1599)

ca. 1575–90 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Basilica of Constantine from the Palatine, Rome

Charles Rémond (d. 1875)

ca. 1822–25 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View on the Aventine Hill, Rome

Romain-Étienne-Gabriel Prieur (d. 1879)

1879 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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