
View of the Roman Capitol, from "Speculum Romanae Magnificentiae"
Etienne DuPérac (d. 1604)
1569 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
448 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 904 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of the Roman Capitol, from "Speculum Romanae Magnificentiae"
Etienne DuPérac (d. 1604)
1569 · Etching; second state of two
Cleared · Public Domain
live
View of the Capitol Stairs, Rome
Calvert Richard Jones (d. 1877)
1846 · Photograph, salted paper print from calotype negative
Cleared · CC0
live
View of Buildings Adjoining the Capitol, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
A view of Lambeth Palace from the river at Whitehall Stairs
Wenceslaus Hollar (d. 1677)
1643–44 · Etching, only state
Cleared · Public Domain
live![View of Lambeth from Whitehall Stairs [copy] by Wenceslaus Hollar, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP823186.jpg)
View of Lambeth from Whitehall Stairs [copy]
Wenceslaus Hollar (d. 1677)
1650–60 · Etching
Cleared · Public Domain
live
View of the Borsa, Rome
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and black ink, over graphite or lead on cream paper (recto). Squared in graphite or lead. Framing lines in pen and black ink. Squared in graphite or lead (verso)
Cleared · Public Domain
live
View of the Capitol
Charles W. Burton (d. 1849)
1824 · Watercolor, pen and black ink, and gum arabic on off-white wove paper
Cleared · Public Domain
live
The CAPITOL/ WASHINGTON
Enoch Wood & Sons (d. 1846)
ca. 1818–ca. 1846 · Earthenware, transfer-printed
Cleared · Public Domain
live
VIEW of the/ CAPITOL AT/ WASHINGTON/ W.R.
William Ridgway & Co. (d. 1854)
ca. 1840–ca. 1854 · Earthenware, transfer-printed
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Colosseum, Rome
Pierre Henri de Valenciennes (d. 1819)
1819 · Oil on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Stairs, Rowallan
Sir David Young Cameron (d. 1945)
1893 · Etching; only state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.