Amphitiatri Romani, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
433 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,999 matching records exist across the two collections.
Results for "View of the Colosseum"12 records
Institutions answered newest-first by record, interleaved
Views of Rome: The Colosseum
Giovanni Battista Piranesi (d. 1778)
1776 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Ruinae Coliseum, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
Cleared · Public Domain
liveThe MetSimilar
The Arch of Titus and the Coliseum, Rome
Thomas Hartley Cromek (d. 1873)
1846 · Drawing, watercolor with black ink and graphite underdrawing
Cleared · CC0
liveCleveland Museum of ArtSimilar
View of the Colosseum
Joseph Marie Vien (d. 1809)
ca. 1744–50 · Black and white chalk on blue antique laid paper
Cleared · Public Domain
liveThe MetSimilar
View of the Colosseum
Richard Wilson (d. 1782)
1751–56 · Black chalk heightened with white chalk on gray paper; sheet laid down on pink paper mount with double border in brown ink
Cleared · Public Domain
liveThe MetSimilar
Partial View of the Colosseum (recto); Sketch of the Temple of Minerva Medicea (verso)
Johann Christian Klengel (d. 1824)
late 18th–early 19th century · Brush and gray wash, over black chalk (recto); graphite, brush and blue wash (verso)
Cleared · Public Domain
liveThe MetSimilar
View of the Colosseum and the Arch of Constantine from the Palatine
Charles Rémond (d. 1875)
ca. 1822–24 · Oil on paper, laid down on canvas
Cleared · Public Domain
liveThe MetSimilar
Inner view of the Colosseum
Franz Kaisermann (d. 1833)
late 18th–early 19th century · Pen and brown ink, graphite, watercolor
Cleared · Public Domain
liveThe MetSimilar
View of the Colosseum from the Basilica of Domitian and the Flavian Palace, Rome
Henri-Joseph Harpignies (d. 1916)
1864 · Watercolor over graphite, lightly squared in graphite
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amphitiatri Romani (Roman Ruins)
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe des restes de Amphithéatre Flavien vulgairement dit Le Colisée, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.