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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1229 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    265 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 42 matching records exist across the two collections.

Results for "View of the Fountainhead of the Acqua Fe"12 records

Institutions answered newest-first by record, interleaved

View of the Fountainhead of the Acqua Felice...., from Vedute di Roma (Roman Views) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of the Fountainhead of the Acqua Felice...., from Vedute di Roma (Roman Views)

Giovanni Battista Piranesi (d. 1778)

ca. 1751 · Etching; first state of five (Hind)

Cleared · Public Domain

live
The MetSimilar
View of the Fountainhead of the Acqua Paola on Monte Aureo, from Vedute di Roma (Roman Views) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of the Fountainhead of the Acqua Paola on Monte Aureo, from Vedute di Roma (Roman Views)

Giovanni Battista Piranesi (d. 1778)

ca. 1751 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the fountainhead and the Grotto of Egiria outside the Porta Capena, from "Vedute di Roma" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of the fountainhead and the Grotto of Egiria outside the Porta Capena, from "Vedute di Roma"

Giovanni Battista Piranesi (d. 1778)

1760–78 · Etching; second state of five

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fontana dell'Acqua Felice (View of the Fountainhead of the Acqua Felice) . .

Giovanni Battista Piranesi (d. 1778)

ca. 1751 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Concerning the Fountainhead of the Acqua Giulia [general view of the Porta. S. Lorenzo], tavola 8 from "Le Rovine del Castello dell'Acqua Giulia situato in Roma presso S. Eusebio, e falsamente detto dell'Acqua Marcia colla dichiarazione di uno de celebri passi del commentario Frontinano e l'esposizione della maniera con cui gli antichi Romani distribuivano le acque per uso della città" (Ruins of the Fountainhead of the Acqua Giulia in Rome, near S. Eusebio and incorrectly called the Fountainhead of the Acqua Marcia, with a discussion of one of the celebrated passages from the commentary by Frontinus and an explanation of the manner in which the ancient Romans distributed the water for the use of the city)

Giovanni Battista Piranesi (d. 1778)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Concerning the Fountainhead of the Acqua Giulia [side view of the "Mostra" and architectural sections], tavola 3 from "Le Rovine del Castello dell'Acqua Giulia situato in Roma presso S. Eusebio, e falsamente detto dell'Acqua Marcia colla dichiarazione di uno de celebri passi del commentario Frontinano e l'esposizione della maniera con cui gli antichi Romani distribuivano le acque per uso della città" (Ruins of the Fountainhead of the Acqua Giulia in Rome, near S. Eusebio and incorrectly called the Fountainhead of the Acqua Marcia, with a discussion of one of the celebrated passages from the commentary by Frontinus and an explanation of the manner in which the ancient Romans distributed the water for the use of the city)

Giovanni Battista Piranesi (d. 1778)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Concerning the Fountainhead of the Acqua Giulia [side view of the "Mostra"], tavola 4 (a) from "Le Rovine del Castello dell'Acqua Giulia situato in Roma presso S. Eusebio, e falsamente detto dell'Acqua Marcia colla dichiarazione di uno de celebri passi del commentario Frontinano e l'esposizione della maniera con cui gli antichi Romani distribuivano le acque per uso della città" (Ruins of the Fountainhead of the Acqua Giulia in Rome, near S. Eusebio and incorrectly called the Fountainhead of the Acqua Marcia, with a discussion of one of the celebrated passages from the commentary by Frontinus and an explanation of the manner in which the ancient Romans distributed the water for the use of the city)

Giovanni Battista Piranesi (d. 1778)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Concerning the Fountainhead of the Acqua Giulia [View of the remains of the Fountainhead or "Mostra"], tavola 2 from "Le Rovine del Castello dell'Acqua Giulia situato in Roma presso S. Eusebio, e falsamente detto dell'Acqua Marcia colla dichiarazione di uno de celebri passi del commentario Frontinano e l'esposizione della maniera con cui gli antichi Romani distribuivano le acque per uso della città" (Ruins of the Fountainhead of the Acqua Giulia in Rome, near S. Eusebio and incorrectly called the Fountainhead of the Acqua Marcia, with a discussion of one of the celebrated passages from the commentary by Frontinus and an explanation of the manner in which the ancient Romans distributed the water for the use of the city)

Giovanni Battista Piranesi (d. 1778)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Concerning the Fountainhead of the Acqua Giulia [View of the remains of the Fountainhead or "Mostra"], tavola 2 from "Le Rovine del Castello dell'Acqua Giulia situato in Roma presso S. Eusebio, e falsamente detto dell'Acqua Marcia colla dichiarazione di uno de celebri passi del commentario Frontinano e l'esposizione della maniera con cui gli antichi Romani distribuivano le acque per uso della città" (Ruins of the Fountainhead of the Acqua Giulia in Rome, near S. Eusebio and incorrectly called the Fountainhead of the Acqua Marcia, with a discussion of one of the celebrated passages from the commentary by Frontinus and an explanation of the manner in which the ancient Romans distributed the water for the use of the city)

Giovanni Battista Piranesi (d. 1778)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Fountainhead of the Acqua Felice..., from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of five (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Fountainhead of the Acqua Paola on Monte Aureo, from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; third state of five (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the large Trevi Fountain formally called the Acqua Vergine, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; third state of seven (Hind)

In copyright

live
The MetSimilar

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