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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    372 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "View of the Gardens of a Palace"7 records

Institutions answered newest-first by record, interleaved

The Tiber, Tuileries Garden, Paris by Charles Nègre, The Cleveland Museum of Art

The Tiber, Tuileries Garden, Paris

Charles Nègre (d. 1880)

1859 · Photograph, albumen print from wet collodion negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Water Cooler with Chinese Gardens by Seifū Yohei III, The Cleveland Museum of Art

Water Cooler with Chinese Gardens

Seifū Yohei III (d. 1914)

1893–97 · Ceramic, Porcelain with molded and carved designs

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey) by an unrecorded maker, The Cleveland Museum of Art

Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey)

Unrecorded maker

c. 1725 · Painting, Gum tempera, gold, and silver on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night by an unrecorded maker, The Cleveland Museum of Art

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Palace Ladies by Qiu Ying, The Cleveland Museum of Art

Palace Ladies

Qiu Ying (d. 1552)

1644–1911 · Painting, handscroll; ink and color on silk

Cleared · CC0

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Cleveland Museum of ArtSimilar
A pair of Brahminy ducks by an unrecorded maker, The Cleveland Museum of Art

A pair of Brahminy ducks

Unrecorded maker

c. 1595; borders added probably 1800s · Painting, Gum tempera on paper, mounted with later pink and blue borders

Cleared · CC0

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Cleveland Museum of ArtSimilar
Fontaine du Jardin du Luxembourg (grotte de Marie de Médécis) by Charles Marville, The Cleveland Museum of Art

Fontaine du Jardin du Luxembourg (grotte de Marie de Médécis)

Charles Marville (d. 1879)

c. 1850 · Photograph, Salted paper print, Blanquart-Évrard process

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.